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Tom Cruise’s ‘Digger’ Tests a New Marketing Stunt — France Adores It, America Shrugs

Warner Bros. ads for 'Digger' tout international acclaim while ignoring harsh U.S. reviews. A bold, amusing, and perhaps desperate strategy.

By mitch·4 min read
A promotional image of Tom Cruise as Digger Rockwell, surrounded by flags representing international critics.

Warner Bros. has a new plan for selling Digger, Alejandro G. Iñárritu’s $125 million action picture starring Tom Cruise as Digger Rockwell. The latest ad leans on international critics praising the film while ignoring the U.S. critics who have been less kind. It is a bold strategy, and it is now the subject of some amused commentary.

The ad opens with Cruise delivering a line about America standing beside the world in its darkest hours, which Ahmed’s character promptly shoots down. Then the video rolls through a series of critic quotes from around the globe, each paired with a flag representing the critic’s home country. The pattern is clear: the rest of the world loves this movie, and the implication is that American audiences are simply too dim to see its genius.

The Ad’s Critic Quotes

The quotes themselves are striking in their contrast. A Mexican YouTuber calls the film “Epic, Extraordinary and Biting.” A Playlist review, paired with an American flag, calls it “Grotesque, Deliberately Tacky.” A French critic describes Digger as “A Gem of Intelligence,” while The New York Post calls it “An Unintentionally Bad Movie.”

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The ad closes with Cruise’s character saying, “You decide which!”

What the Numbers Actually Show

The ad is doing a lot of talking, but the numbers tell a different story. Digger is expected to gross only around $8 million at the domestic weekend box office. That is even lower than the studio’s own modest $12-$15 million prediction, and it sits leagues below the film’s $125 million projected budget.

The French Score

There is a kernel of truth in the ad’s premise. Rotten Tomatoes has the film at 50 percent positive, which is a middling score. But the French aggregation site AlloCiné gives the film an average press rating of 3.2 out of 5 across 30 reviews. That figure is not directly comparable to the Tomatometer, but it suggests a somewhat warmer critical reception abroad.

Several top critics in Britain and Australia were notably warm toward the film, though both countries had dissenters as well. The CinemaScore in the U.S., polled from moviegoers exiting the film on Friday, was a brutal C+.

Cruise’s Social Media Support

Cruise took to social media on Saturday to express his pride and support of the film. He wrote, “Digger is officially in theaters and I am so honored to have had the opportunity to create this film alongside such talented artists. Thank you to the entire cast and crew for your dedication, hard work and joy. The experience was truly unforgettable and I’m so proud of what we created.”

He did not address the ad or the split between international and American critics. He just celebrated the project.

The International Strategy

The ad is a marketing tactic, not a statement of fact. It is designed to make American audiences feel like outsiders, to position the film as a global phenomenon that U.S. reviewers failed to recognize.

Metric Figure Comparison
Domestic weekend box office projection $8 million Lower than the studio’s $12-$15 million prediction
Film’s projected budget $125 million Much higher than the expected take
Rotten Tomatoes score 50 percent positive Middle ground
AlloCiné average press rating 3.2/5 across 30 reviews Suggests warmer international reception

What We Make Of It

The ad is a strange one to watch. It is not trying to win over American critics. It is trying to win over American audiences by making them believe the world has already decided.

The CinemaScore C+ is a measure of audience response, not a statement about the film’s quality. The AlloCiné score is warmer than the Tomatometer, but it is not a ringing endorsement either.

The strategy is amusing, but it is also a bit sad. A $125 million production with Tom Cruise should not need to pretend it is beloved everywhere except the United States.

The ad is doing the job it is supposed to do: making noise. Whether that noise translates into tickets is another matter entirely.

The film’s fate is tied to whether American audiences trust the critics or the ad. Given the CinemaScore, the studio is betting heavily on the latter.

We will know soon enough.

Source material: “Tom Cruise’s ‘Digger’ Tries New Marketing Tactic: The French Love It, Americans Don’t,” The Hollywood Reporter.

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