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Beta House Review: American Pie Pledges Loud, Crude Comedy That Never Learned Restraint

A loud, raucous tale of pledges, tasks, and ostriches, wherein Beta House earns a modest slice of pie.

By mitch·4 min read
Young men in togas run through a lawn while an ostrich wanders near a fraternity house at night.

American Pie Presents: Beta House wants to be a wild, raucous college comedy, and it mostly succeeds at being loud instead. This 2007 sex comedy follows Erik Stifler (John White) and his friend Mike “Cooze” Coozeman (Jake Siegel) as they arrive at the University of Michigan and pledge the Beta House fraternity. The film treats its central joke — the geeky rival house trying to shut down the debauchery — as a premise rather than a mission statement, and that difference shows in almost everything that follows.

Trailer, via American Pie.

The Premise

Erik and Cooze are freshmen who have both been dumped by their exes. Erik’s girlfriend Tracy leaves him for her ex-boyfriend Trent, while Cooze’s friend Denise is nervous about sex. The film introduces them to the Beta House, led by Dwight Stifler (Steve Talley), Erik’s cousin and a figure whose legend looms large over the campus. Wesley, the rush chair, runs the pledging process, and Dwight warns the boys that the Geek House, a rival fraternity run by wealthy nerds, has been trying to shut them down.

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The setup is simple and direct. The execution is less so.

The Tasks

The pledging process is where the film finds its rhythm. Erik, Cooze and Bobby complete fifty tasks to join the Beta House, including signing their butts with a stripper, sleeping with a professor, marrying a fellow pledge, and placing a live ostrich in the Geek House. Each task is a mini-adventure, and the film leans into the absurdity of the whole system.

The climax arrives when Edgar, the president of the Geek House, challenges the Beta House to the Greek Olympiad, with the winner taking the loser’s House. It’s a setup built for chaos, and the film delivers on that promise.

The Date Night

Before the big competition, Erik gets a date with Ashley, a girl he met at the beginning of the film. Their first date goes poorly when Erik accidentally spills hot soup on his lap. Ashley brings him back to her room to clean up, and things quickly spiral out of control. As Ashley rubs lotion on Erik’s thigh, he ejaculates on her belongings. He apologizes, explaining that he hasn’t had an orgasm in four months since breaking up with Tracy, because masturbation is taboo in his house due to a previous incident.

It’s a messy scene, and it’s meant to be. The film doesn’t treat the moment with dignity. It treats it with the same casual, crass humor that defines the series.

Cooze’s Suspicion

Cooze has his own subplot. He falls for Ashley’s roommate Denise, but she’s nervous about having sex with him. She gives Cooze a handjob instead, and later he develops suspicions that she might have a penis. The film plays this suspicion for laughs, and the payoff comes during the Greek Olympiad when the two houses collide.

The Numbers

Element Detail
Release date December 10, 2007 (international DVD), December 26, 2007 (US)
Runtime 89 minutes
Box office $18.55 million in US sales
Critic score 5.6/10

The film was a moderate financial success, generating $18.55 million in US sales. That’s a modest return for a franchise property, and it reflects the mixed reception from critics. The reviews were generally negative, though the film’s direct-to-DVD release kept expectations low.

“The most outrageous slice of pie!”

That tagline is accurate in spirit. The film is outrageous, and it knows it. What it doesn’t know is when to stop.

The Verdict

Beta House is a competent entry in a series that has never pretended to be anything more than a machine for jokes. The pledging tasks are the strongest part of the film, and the Greek Olympiad provides a chaotic finale that justifies the earlier setup. The date night between Erik and Ashley is a mess, but it’s a deliberate mess, and the film commits to it fully.

The film’s weakness is its lack of restraint. It’s a series of jokes strung together without much connecting tissue, and some of those jokes land harder than others. The subplot involving Cooze’s suspicions about Denise feels like a leftover idea from the preceding film, and it doesn’t quite pay off in a satisfying way.

John White carries the lead role with a physical energy that suits the material, even when the material isn’t asking for much depth. Jake Siegel gets the comic heavy lifting, and Steve Talley’s Dwight Stifler is a presence worth returning to. Christopher McDonald and Eugene Levy round out the adult side of the story, giving the film a sense of continuity with the larger franchise.

American Pie Presents: Beta House is a middling entry in a series that has always been better at excess than at restraint. It’s not a great film, but it’s not a failure either. It’s a loud, messy slice of pie that knows exactly what it is.

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