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Bruce Almighty Hands Jim Carrey God’s Power and Loses Its Sense of Humor

A review of Bruce Almighty, wherein Carrey's dance routine promises greatness the rest of the film cannot deliver.

By mitch·3 min read
A man stands upon a high building, glowing with a strange light, as though he were some god upon Earth.

Bruce Almighty opens with Jim Carrey at his most physical, doing a dance routine that shows off his body and energy. The joke lands because the movie knows it is setting up a fall. That fall comes early, when God hands Carrey his powers and tells him to fix the world. The premise is simple: a man gets God’s power and learns what it means to be God. The execution is less kind.

Trailer, via Universal Pictures At Home.

Carrey’s Dance Routine

Carrey’s dance routine is the film’s best moment. It is pure physical comedy, and it sets a standard the rest of the movie cannot meet. The scene is a burst of energy, a reminder of why Carrey is one of the great comic actors of his generation. It also works as a promise the film cannot keep.

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God’s Powers Are Not Funny

Once Carrey gets God’s powers, the jokes stop being clever and start being silly. The film leans on the idea that Carrey can do anything, which turns out to mean mostly making people disappear and showing off. There is a thin layer of satire about how little control we really have, but it is buried under special effects and sight gags.

The film wants to say something about faith and responsibility, but it is too busy showing Carrey riding a giant eagle and turning water into wine to make the point stick.

The Romance Stalls

Carrey’s love interest is meant to ground the story, but she spends most of the runtime as a character who watches Carrey make mistakes. Her arc is thin, and her scenes feel like padding between bigger jokes. The romance is there, but it is never the engine of the film.

Where It Lands

Bruce Almighty is a film that starts with a strong premise and ends with a shrug. Carrey’s performance carries it when the script stops, but the script stops often enough to sink the whole project. The jokes grow thinner as the film goes on, and the satire that was once sharp becomes broad and easy to ignore.

The final stretch tries to tie everything together with a lesson about humility, but the lesson feels more like a checklist than a genuine conclusion.

  • The dance routine is the film’s high point
  • The God powers are a gimmick, not a joke machine
  • The romance stalls and never recovers
  • The ending tries to say something, but it doesn’t land

A Premise Worth More

Bruce Almighty is not a failure, but it is a missed opportunity. The premise is better than the movie that uses it. Carrey is clearly having fun, and he brings a real sense of play to the role. But the material around him is thin, and the film never rises above the level of a summer comedy built for mass appeal rather than lasting laughs.

There are moments of genuine wit scattered through the running time, but they are buried under a pile of effects and jokes that have already been told. The film is watchable, but it is not memorable.

  • Title: Bruce Almighty
  • Year: 2003
  • Starring: Jim Carrey
  • Director: Tom Shadyac
  • Score: 4.6 of 10
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