
Easy A Review: Emma Stone Makes the Lie Hurt
Easy A review: Emma Stone's 2010 teen comedy about a rumor gone wild, its Scarlet Letter hook, standout cast, and a third act that wraps too neatly.

Every film we have scored, from 1980s horror to what is in cinemas now.

Easy A review: Emma Stone's 2010 teen comedy about a rumor gone wild, its Scarlet Letter hook, standout cast, and a third act that wraps too neatly.

A deep dive into Love Actually, Richard Curtis's 2003 ensemble Christmas film: its ten stories, best arcs, weakest threads, and why it still endures.

A close look at David Fincher's 1997 thriller The Game, from its wooden clown and fake offices to the Jodie Foster casting fight that never happened.

Yes Man review: Jim Carrey plays a bank officer who says yes to everything in Peyton Reed's 2008 comedy, a premise that never becomes a story. 4.6/10.

The Boss Baby review: DreamWorks turned a picture book into a $528M spy comedy with an unreliable narrator it never doubts. A 5.0/10.

Insidious review: James Wan's 2011 haunted-house hit has a strong first hour, then trades dread for exposition. Lin Shaye shines. Score: 5.2/10.

Madagascar: Escape 2 Africa moves the zoo animals to the African savanna. A fast, funny sequel that improves on the original but settles for less.

Guillermo del Toro's 2004 Hellboy gave us Ron Perlman as a demon with a job — a strange, confident superhero film that still holds up.

A Quiet Place Part II review: Krasinski hands the franchise to Millicent Simmonds, trading dread for scale. A confident sequel that earns its 7.1.

A look at Clint Eastwood's Mystic River (2003): its Charlestown abduction, the .38 Special mystery, Penn and Robbins' Oscar wins, and Eastwood's first score.

Captain Phillips review: Tom Hanks and Barkhad Abdi in Paul Greengrass's 134-minute hijacking drama, its $220.6M run and six Oscar nominations.

Moonlight review: Barry Jenkins's three-chapter masterpiece with Mahershala Ali, Trevante Rhodes and Naomie Harris. Best Picture winner, scored 9.9/10.
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