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Ghostbusters: Afterlife Review: A Franchise Doing Maintenance on Itself

Ghostbusters: Afterlife review: Jason Reitman's 2021 sequel rebuilds old gear and mourns Harold Ramis, but mistakes nostalgia for story. 4.5/10.

By mitch·2 min read
A boy and his mother stand near a parked Ecto-1, surrounded by mist and faint glow of ghost-hunting gear.

Ghostbusters: Afterlife is a 2021 supernatural comedy directed by Jason Reitman, who co-wrote it with Gil Kenan. It runs 124 minutes. It is the direct sequel to Ghostbusters II, the third mainline film and the fourth overall in the franchise.

Trailer, via Sony Pictures Entertainment.

Callie Spengler and the Oklahoma Farm

The setup is sound. Callie, played by Carrie Coon, is broke and evicted from her Chicago apartment. She moves her kids, Trevor (Finn Wolfhard) and Phoebe (Mckenna Grace), to a Oklahoma farm she inherited from her estranged father, Egon Spengler.

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Phoebe is the engine. She enrolls in a summer science class taught by seismologist Gary Grooberson (Paul Rudd), finds the farmhouse is haunted, and follows the ghost to a trap. She and her friend Podcast tamper with it and release Vinz Clortho, Keymaster of Gozer.

Harold Ramis and the Underground Laboratory

The ghost leads Phoebe to Egon’s underground lab and reveals himself as her grandfather. Harold Ramis appears as Egon in archived clips and photographs from Ghostbusters (1984). Bob Gunton, credited as “The Ghost Farmer,” portrays living and ghostly versions of Egon with prosthetics and digital makeup.

Discover the past. Save the future.

Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts and Sigourney Weaver all return. That is the film’s whole bet.

The Release Schedule That Would Not Hold

Date Event
July 2020 Original release date
2021 Delayed four times
November 19, 2021 US release by Sony Pictures Releasing

The delays came from the COVID-19 pandemic. The film grossed $204 million and drew mixed reviews.

What the Legacy Actually Costs

Here is the problem. Afterlife spends its runtime rebuilding equipment and mourning a dead actor, and calls that a story. The proton pack test, the Ecto-1 chase, the Muncher capture — these are reenactments, not scenes. Phoebe is a genuine creation, and Grace plays her straight, but she is surrounded by references.

Ramis died in 2014. The film’s grief is real. Its nostalgia is not the same thing, and it mistakes one for the other for 124 minutes. The third act asks an audience to cheer for cameos rather than consequences.

This is a franchise doing maintenance on itself.

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