WRITTEN IN PLAIN AMERICAN ENGLISH.
About
CLAY TRIBUNE.
Advertisement

‘Lights Out’: Lanterns Stages Explosions While Its Characters Grieve

A tale of lanterns blown apart—betrayals, deaths, and a hollow victory that weighs heavier than any battle.

By mitch·4 min read
A solitary figure stands amid the ruin of a destroyed town, the aftermath of a great explosion behind him.

Lanterns has spent five episodes building toward a climax that is less a victory lap and more a pile of bodies. The fifth episode, “Lights Out,” is a masterclass in staging spectacle while keeping the emotional temperature low. Explosions, gunfights, and betrayals pile up, but the show never lets the viewer forget that the stakes are personal and the cost is permanent.

The episode opens with Kerry’s backstory, which explains how she became Rushville’s sheriff. Her father was a crook from Gotham City, and when he turned informant, the mob sent goons to finish her. Zoe shows up, snaps one goon’s neck, and threatens the other into lying that Kerry is dead — Kerry cuts off her own pinkie for proof. Poorna Jagannathan plays Zoe with a calm control that makes the violence feel routine rather than shocking.

The Betrayals Start Early

Hal traps John in a rental car and reveals his plan. He’ll let Antaan’s aliens battle the wrongly-IDed William Macon while he takes Zoe back to Oa, where he’ll restore his place and his honor. The uneasy banter turns blunt fast.

Advertisement

“You’re never gonna replace me, junior.”

“Fuck you, piece of shit.”

John is burnt to gory near-death after the car explodes. Zoe heals him with a sci-fi nanobot hand-wave, then forces him to confess that she killed Abin Sur when the Green Lantern helped her escape the Guardians’ extermination of her kind. Her plan hinges on using the coming bloodshed to fool the Guardians, and Hal’s death will clear the way for John to claim the ring.

“You can’t escape your true nature.”

Hal Loses Control

Hal confronts Kerry as Rushville’s citizens prepare for war. She warns him that Zoe will destroy the town if he doesn’t leave. Hal’s response is blunt: “She’s a war criminal! She’s not even human!” Kerry replies simply, “Then everything that happens next is on you. Are you willing to accept those consequences when they come?”

Hal lies to Antaan at the diner, force-bubbling away the aliens’ bullets, that Macon is the Manhunter. Antaan’s men jump out of a moving car to blow up Macon’s weapon storehouse. Hal flips his ring-sporting middle finger at the sky, daring Zoe to face him, and is shocked when she rains death from above on the panicked townspeople. His desperate rescue actions drain his ring to 5 percent, and he’s ambushed by a furious John at the motel. Their fight ends with John leaving his battered mentor in the rubble of the Zoe-lasered building.

The Final Betrayal

Hal, spitting blood, gets a patient villain speech from Zoe about John’s supposed double cross. Hal begrudgingly admits, “If there’s one thing I know about that kid, he ain’t no coward.” Realizing she’s been lured into the open, Zoe smiles just as John shoots, his last words a tender, “See you, Zoe.” John returns and wrenches the ring from Hal’s finger. The defeated Hal’s parting malediction, “They replaced me. They’ll replace you,” echoes through the smoke.

The episode closes on John walking into the bar where Laura Linney’s Guardian eagerly waits for news. He pours his first-ever drink, tosses a bloody backpack on the bar, and walks away barefoot, bloodied, and aching from the sucker-punch nut shot Hal gave him.

What Lanterns Actually Accomplishes

The two main 2016 narratives are done. The Manhunters are extinct, and John Stewart is the new Green Lantern. Everybody played out their parts as expected, with the aging Hal’s desperation giving way to a younger, arguably more deserving hero. The bad guy is dead, leaving John to take up his mantle.

But the episode refuses to celebrate. It ends on a note of emptiness. John has won, but the victory feels hollow. The show wants the audience to feel the weight of the choices that got him there.

Aaron Pierre has contained so much as John, and “Lights Out” should be his coming-out party. But actor and character still withhold so much. The final image is not triumphant. It is weary.

The episode earns its feeling precisely because it never lets the chaos overshadow the characters. The explosions are loud, but the grief is louder. That balance is rare in a show this explosive, and it makes the ending land harder than any final battle could.

See the video the story is built around at The A.V. Club.

Advertisement

Leave a Reply

Your email address will not be published. Required fields are marked *