Midterms 2026See who we think should earn your vote, based on our standardsThe guide →
WRITTEN IN PLAIN AMERICAN ENGLISH.
CLAY TRIBUNE.
Advertisement

Only Fools and Horses Review: A Show About Failure and Love That Never Loses Its Heart

A look back at Only Fools and Horses, the beloved British sitcom about two brothers chasing riches and love in Peckham.

By mitch·7 min read
Del Boy and Rodney stand outside their Peckham flat with a three-wheeled van, evoking the show's setting.

Only Fools and Horses ran from 1981 to 1991, a sitcom about two brothers trying to get rich off the back of a three-wheeled van and a council flat in Peckham. It is a show about failure, and it is a show about love. Both themes are tied together by the central relationship between Del Boy Trotter and his younger half-brother Rodney.

The series follows Del Boy, played by David Jason, and Rodney, played by Nicholas Lyndhurst, as they scheme and stumble through the black market of South London. They run a business called Trotters Independent Traders, trading poor-quality goods and occasionally illegal ones. Their attempts to get rich are almost always doomed, but the show never treats them as losers. That is the trick: the Trotters are pathetic, and they are also the heroes.

The show was not an immediate hit. It received little promotion early on, and its first few years were quiet. But it grew steadily, and by the mid-1990s it had become a fixture of British television. The 1996 episode “Time on Our Hands,” originally billed as the series finale, attracted 24.3 million viewers, holding the record for the biggest UK audience for a sitcom episode.

Advertisement

Del Boy and Rodney

The show works because Jason and Lyndhurst play their parts with complete conviction. Jason’s Del Boy is a con man with a heart, a loudmouth who can’t stand to lose but who also cares deeply about his brother. Lyndhurst’s Rodney is the opposite: a nervous, awkward man who is constantly dragged into Del Boy’s schemes. He resents Del Boy, but he cannot help loving him.

Their relationship is the engine of the show. It is built on affection, frustration, and a shared sense of destiny. The show understands that Rodney is the smarter brother, but it never lets him win. Rodney’s intelligence is always undercut by his cowardice, and Del Boy’s stupidity is always redeemed by his ambition.

The Supporting Cast

The supporting cast is a gallery of memorable characters. Buster Merryfield plays Uncle Albert, Grandad’s estranged brother, who moves in after Grandad dies. Albert is a grumpy old man who speaks in monosyllables, and he provides a contrast to the younger characters. His presence grounds the show in tradition, even as the Trotters chase modern wealth.

Gwyneth Strong plays Cassandra, Rodney’s love interest, and Tessa Peake-Jones plays Raquel, Del Boy’s love interest. Their stories are separate but parallel: both women are drawn to the Trotters’ schemes, and both are frustrated by their failures. Sue Holderness plays Marlene Boyce, Boycie’s wife, and Patrick Murray plays Mickey Pearce, a youthful spiv. Roger Lloyd-Pack plays Trigger, a road sweeper, and John Challis plays Boycie, a pretentious used car salesman.

These characters populate the Nag’s Head, the local pub where the show often ends. The pub is a stage for the Trotters’ schemes, and it is where the consequences of their actions are worked out. The Nag’s Head is a place of gossip, of deals, and of disappointment.

The Early Years

The show began in 1981 with Del Boy, Rodney, and Grandad as the only regulars. Lennard Pearce played Grandad, and he appeared in the first three series. After Pearce’s death in 1984, the show lost its anchor. The writers responded by introducing Uncle Albert, played by Buster Merryfield. Albert is Grandad’s younger brother, and he moves in with Del Boy and Rodney after Grandad’s death.

The change was not easy. The show had to find a new center, and it found it in the relationship between Del Boy and Rodney. The early episodes are self-contained, with few plot-lines mentioned again. But the show developed a story arc and an ongoing episodic dimension in later series.

The early years are the purest version of the show. The schemes are simple, the stakes are low, and the humor is physical. Del Boy and Rodney are still learning how to be adults, and the show captures that moment of transition.

The Christmas Specials

The show aired sixteen sporadic Christmas specials until 2003. These specials were different from the regular series. They were longer, and they often dealt with larger themes. The 1996 episode “Time on Our Hands” was one of these specials, and it was originally billed as the series finale.

The specials allowed the show to explore its characters in depth. They gave the writers room to breathe, and they gave the actors space to perform. The Christmas specials became a cultural event in Britain, and they kept the show alive long after its regular run ended.

The specials are a reminder that Only Fools and Horses was more than a sitcom. It was a national institution, and it spoke to something deep in British culture. The show contributed several words and phrases to the English language, and it remains a touchstone for generations of viewers.

The Legacy

The show’s influence is hard to measure. It is a part of British culture, and it has shaped the way the country thinks about itself. The Trotters are a kind of national mascot, and their schemes are a way of talking about the economy.

The show’s record-breaking audience for “Time on Our Hands” is a testament to its power. It drew 24.3 million viewers, and it held the record for the biggest UK audience for a sitcom episode. That is a remarkable achievement for a show that was not an immediate hit.

The show’s legacy is secure. It has spawned spin-offs, remakes, and endless references in other media. It is a show that people quote, and it is a show that people remember.

The Final Trilogy

The final trilogy of specials was aired between 2001 and 2003. These specials were a farewell to the show, and they dealt with the characters’ futures. The show ended with Del Boy and Rodney finally achieving some success, but it also showed that their bond remained intact.

The trilogy was a fitting end. It brought the show full circle, from the early days of Nelson Mandela House to the present day. The show had aged, and so had the characters. The final trilogy showed that the Trotters were still the same men they had always been, even as everything around them changed.

The show’s final episode was a quiet one. There was no grand finale, no big reveal. There was just the Trotters, sitting in their flat, talking about the future. It was a perfect ending for a show about failure.

The Verdict

Only Fools and Horses is a great sitcom. It is a show about failure, and it is a show about love. It is a show about the working class, and it is a show about ambition. It is a show that is funny, and it is a show that is sad. It is a show that is worth watching.

The show is not perfect. Some of the jokes are dated, and some of the schemes are ridiculous. But the show’s heart is always in the right place. It is a show about people, and it treats them with kindness.

The show’s best episodes are the ones that focus on the relationship between Del Boy and Rodney. Those episodes are the reason the show survives. Without that relationship, the show would collapse.

The show’s worst episodes are the ones that focus on the schemes. Those episodes are the reason the show is a sitcom. Without those schemes, the show would be boring.

The show is a balance of the two. It is a show about people who scheme, and it is a show about people who love each other. It is a show that is both funny and sad, and it is a show that is worth watching.

Element Strength Weakness
Central Relationship Heartfelt, central to every episode Some schemes feel dated
Supporting Cast Memorable, distinct characters Secondary characters sometimes overshadow the main plot
Christmas Specials Longer format, deeper exploration Not always consistent with regular episodes
Legacy Record-breaking finale, cultural touchstone Some jokes rely on era-specific references

The show is a classic, and it deserves its reputation. It is a show that is funny, and it is a show that is sad. It is a show that is worth watching.

The Notebook

Get the Notebook.

The day's best stories and every fresh verdict, in plain English, in your inbox by seven. One email a day, no more.

We send one note to confirm. Every issue has a one-click way out.

TV reviews
Advertisement

Leave a Reply

Your email address will not be published. Required fields are marked *

As an Amazon Associate, Clay Tribune earns from qualifying purchases.