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Saint Seiya Review: Forty Years On, Its Bronze Cloth Warriors Still Hold Up

A review of Saint Seiya, the 1986 anime of gods, warriors, and a boy who cannot die, with a score of 8.5/10.

By mitch·6 min read
An armored warrior in bronze celestial armor leaps across a glowing battlefield amid swirling stars.

Saint Seiya arrived on television in 1986 as a story about gods, warriors, and a boy who could not die. The anime ran for 114 episodes across two seasons, and it remains one of the most influential shonen series of its era. This review draws on decades of fan commentary and critical assessment, with a published critical score of 8.5 out of 10.

The Boy Who Could Not Die

The premise is simple. Athena, goddess of wisdom, has a champion named Seiya who can survive injuries that would kill ordinary men. He wears a divine armor called the Bronze Cloth, and he fights to protect her from the forces of Hades. Alongside him are four other Bronze Cloth warriors, each with their own personality and fighting style. They are not a team in the usual sense. They are five individuals bound to a single mission.

The story opens with Seiya rescuing Athena from a burning temple. He survives the flames, and the scene sets the tone for everything that follows: a world where gods walk among mortals, and where a single man can stand against armies. The first season introduces the five Bronze Cloth warriors, their Cloths, and the first major villain, Marin, a warrior of Poseidon.

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The Five Warriors

Each of the five Bronze Cloth warriors carries a distinct role and a distinct weakness. That balance is deliberate, and it shapes how the story unfolds.

  • Seiya is the leader, the strategist, and the one most likely to sacrifice himself for the group.
  • Shiryu is the calm one, a master of patience and endurance.
  • Hyoga is the cold one, a fighter whose attacks freeze the battlefield.
  • Shun is the fast one, a speedster who can move faster than the eye can follow.
  • Ikki is the wild one, a fighter who trusts instinct over calculation.

The villains mirror this structure. Each arc introduces a new enemy with a unique power, and each arc tests one of the five warriors specifically. That design gives the series a rhythm that holds attention across its long run.

The Cloth System

The Cloth system is the heart of Saint Seiya. Each Cloth grants its wearer a special attack, and each attack is named after a constellation. Seiya’s signature attack is the Pegasus Meteor Fist, a fist attack that calls down falling stars. Shiryu’s is the Dragon Twister, a spinning attack that sends his opponent flying. Hyoga’s is the Ice Wall, a freezing shield that protects him from harm. Shun’s is the Phoenix Gale, a wind attack that cuts through the air. Ikki’s is the Lion Mane, a fierce attack that strikes from the ground.

The constellations themselves are rendered as detailed star maps, drawn with care in every episode. The designs are consistent, and they become a visual shorthand that viewers learn to recognize at a glance. A character drawing a cloth pattern on the ground becomes a cue that a battle is about to begin.

The Music and Animation

The music is a major part of the Saint Seiya experience. The opening theme, “Kaze no Tani no Naushiko,” and the ending theme, “Seiya no Uta,” both became hits in their own right. The themes were composed by Masami Okabe and Kenji O Fukushi, and they capture the spirit of the series: epic, dramatic, and full of energy.

The animation is also notable. The series was produced by Toei Animation, and it features dynamic action sequences that were ahead of their time. The fights are choreographed with careful attention to the motion of the Cloths, and the special effects, especially the constellation attacks, are rendered with detail that still holds up today. The backgrounds are painted with a sense of scale, and the scenes of the Sanctuary, the Underworld, and the Temple of Poseidon are rendered with a grandeur that matches the story’s ambitions.

The Two Seasons

The first season covers the Sanctuary arc, where the five Bronze Cloth warriors fight their way through the twelve temples guarded by the Gold Cloth warriors. Each temple is ruled by a Gold Cloth, and each Gold Cloth represents a sign of the zodiac. The battles are intense, and they establish the rules of the Cloth system: a Bronze Cloth can defeat a Gold Cloth, but only by surpassing the limits of his own body.

The second season covers the Poseidon arc and the Hades arc. In the Poseidon arc, the five Bronze Cloth warriors fight the Water Bearer Marin and her allies. The Hades arc is the climax, where the five warriors descend into the Underworld to rescue Athena from Hades himself. The final battles are some of the most memorable in the series, with each warrior facing a personal trial that tests his resolve.

The Legacy

Saint Seiya has had a lasting influence on the shonen genre. Its constellation-based power system became a template that later shows would borrow, and its focus on individual strength over collective might set a precedent for the genre’s direction in the late 1980s and early 1990s. The series also popularized the concept of “cosmic energy” as a source of power, a concept that would be used in many shows that followed.

The series has spawned numerous spin-offs, movies, and video games. It has been adapted for Western audiences, and it continues to draw new fans decades after its original run. Its popularity has been sustained by the quality of its animation, the strength of its characters, and the depth of its mythology.

Aspect Saint Seiya
Length 114 episodes, two seasons
Original run 1986–1989
Opening theme “Kaze no Tani no Naushiko”
Ending theme “Seiya no Uta”
Main composer Masami Okabe, Kenji O Fukushi

The Weaknesses

Not everything about Saint Seiya holds up. The pacing in the middle episodes can drag, and some arcs feel like filler compared to the Sanctuary and Hades arcs. The series also leans heavily on melodrama, with characters often sacrificing themselves for the greater good without much room for personal growth beyond that moment.

The character development is uneven. Some characters, like Seiya and Ikki, get substantial arcs. Others, like Shiryu and Hyoga, get less. The fifth warrior, Shun, gets the least screen time of the group, which is a missed opportunity given his potential as a wildcard character.

Final Word

Saint Seiya is a landmark of Japanese animation. Its constellation system, its music, and its action sequences set a standard that would shape the genre for years to come. It is not perfect, and it has its flaws, but it remains a show that rewards patience and delivers a satisfying conclusion.

The series is best enjoyed as a whole, not episode by episode. The arcs build on each other, and the payoff of the Hades arc is stronger for having waited through the earlier battles. For anyone who grew up with Saint Seiya, it holds a special place in their memory. For newcomers, it offers a gateway into a rich mythology and a set of memorable characters.

Saint Seiya earns its reputation as a classic. It is a show that rewards attention, and it has stood the test of time. Its score reflects that enduring appeal.

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