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Soul Eater Review: Three Teams, One Betrayal, and a War Against Witches

A review of Soul Eater, the 2008 TV Tokyo anime: three teams of meisters, a kishin's rise, and a satisfying final arc.

By mitch·5 min read
A meister and her weapon face off against a witch in a neon-lit fantasy city.

Soul Eater is a 2008 TV Tokyo series that turns a simple premise into something far more chaotic. Three teams of weapon meisters and their human weapons try to collect 99 evil souls and one witch to become Death Scythes, the highest rank of weapon. The show, based on the manga by Atsushi Ohkubo, runs 51 episodes and follows Maka Albarn and Soul Eater, Black Star and Tsubaki Nakatsukasa, and Death the Kid with Liz and Patty Thompson as they attend the Death Weapon Meister Academy, or DWMA, in the fictional city of Death City, Nevada.

The premise is simple. The execution is anything but.

Trailer, via Crunchyroll Store Australia.

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The Three Teams

The three teams are the engine of the show. Maka and Soul are the lead pair, with Maka’s sharp mind and Soul’s cool detachment driving their every mission. Black Star and Tsubaki are the wild card, with Black Star’s ego matched only by Tsubaki’s loyalty and her ability to transform into a variety of ninja weapons. Death the Kid is the odd one out, a perfectionist with pistol partners Liz and Patty who can’t help but notice symmetry.

The show spends its early episodes introducing these characters and their quirks. The teamwork is the real star here. Maka’s literary knowledge and Soul’s musical instincts make her a standout pair. Black Star’s constant boasting and Tsubaki’s silent support form a contrast that works. Death the Kid’s perfectionism is played with real care, and his fear of symmetry breaking is genuinely funny.

Medusa and the Witches

The villains are where the show gets interesting. Medusa is the main antagonist, the witch who forces Crona to collect non-evil souls and eventually transform into a kishin, an evil god. Her plan is to revive Asura, the first kishin who nearly plunged the world into madness. She and her cohorts attack DWMA, and despite the combined efforts of Maka, Black Star, and Death the Kid, they succeed in reviving Asura, who leaves to spread chaos around the world.

The show doesn’t waste time on exposition. It throws Medusa at the viewer and lets the action unfold. The revival arc is handled with real weight, and the brief battle with Shinigami sets up a massive threat that the show spends its middle stretch building toward. The show also introduces Arachne, Medusa’s sister, who reforms her organization, Arachnophobia, into a serious threat to DWMA. The show calls in Death Scythes from around the world to aid in the fight.

The Mid-Season Betrayal

The show’s middle stretch is where it starts to fold. Medusa reappears with her soul possessing the body of a young girl and forms a truce with DWMA so they can annihilate Arachnophobia together. The infiltration of Arachnophobia’s headquarters is tense, with Maka killing Arachne only for Medusa to betray DWMA, possess Arachne’s body, and brainwash Crona into rejoining her.

The show handles the betrayal with real weight. It isn’t a throwaway moment. The consequences ripple through the rest of the season. Death the Kid is captured by Noah, an artificial construct created from the Book of Eibon, and Maka uses Arachne’s soul to turn Soul into a Death Scythe. The duo becomes part of the newly formed meister unit Spartoi along with their friends, rescuing Death the Kid and defeating Noah.

The Final Arc

The final arc is where the show’s strengths and weaknesses are most on display. Crona resurfaces in a city in Russia, destroying it and the Death Scythe stationed there, before being provoked by Medusa into killing her and getting taken by insanity. Maka is ordered to track him down. The show spends its final episodes with Maka and Soul on the run, with the entire DWMA and its Death Scythes pursuing them.

The battle with Crona is the climax. The show gives the moment real weight, and the resolution is satisfying. It isn’t a clean win, but it is a win that respects the stakes the show has been building toward.

The Voice Cast

The voice cast is strong. Chiaki Omigawa as Maka Albarn and Koki Uchiyama as Soul Eater are the lead pair, and they carry the show’s emotional weight. Yumiko Kobayashi as Black Star and Kaori Nazuka as Tsubaki Nakatsukasa are a solid supporting pair. Mamoru Miyano as Death the Kid and Maaya Sakamoto as Crona bring depth to their characters. Akeno Watanabe as Elizabeth Thompson, Rikiya Koyama as Death, and Narumi Takahira as Patricia Thompson round out the cast. Houko Kuwashima voices Medusa, and Masafumi Kimura voices Sid Barrett.

The show also has a sense of humor that keeps the action from grinding into grimness. Black Star’s ego and Death the Kid’s perfectionism provide consistent comic relief.

The Strengths

  • A clear three-team structure that gives each pair a distinct identity
  • A villain arc with real stakes and weight
  • A final arc that delivers a satisfying payoff
  • A voice cast that anchors the show’s emotional beats
  • A sense of humor that keeps the action from feeling too grim

The Weaknesses

  • The middle stretch drags in spots, with filler episodes that don’t drive the plot forward
  • Some character arcs feel rushed, especially for supporting players
  • The show’s world can feel dense, with new terms and concepts introduced quickly

The Verdict

Soul Eater is a show that knows what it wants to be. It wants to be a comedy, an action series, and a drama all at once, and it mostly succeeds. The three teams are the heart of the show, and the villains are drawn with real menace. The voice cast sells the emotional beats, and the humor keeps the show from feeling too grim.

The middle stretch drags in places, and some arcs feel rushed, but the show picks up momentum in its final episodes. The betrayal of Medusa and the battle with Crona are handled with real weight, and the resolution is satisfying. The show is a solid piece of work, and it earns its place as one of the more interesting anime of its era.

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