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‘Spin City’ Review: A Smarter Sitcom Than Its Premise Suggested

A look back at Spin City, the smart sitcom about NYC politics, with reviews of its cast, seasons, and lasting appeal.

By mitch·6 min read
A group of coworkers gather in a bustling office amid chaos, evoking the energy of a sitcom about city politics.

“Spin City” ran from 1996 to 2002 on ABC, and it remains one of the smarter sitcoms of its era. Created by Gary David Goldberg and Bill Lawrence, the show followed Deputy Mayor Mike Flaherty, a workaholic genius who ran New York City with a staff full of oddballs. The series combined comedy with a genuine affection for its characters, and it managed to keep both sides of that equation working together over six seasons.

The premise is simple. Mike Flaherty (played by Michael J. Fox) was the key strategist and handler for Mayor Randall Winston, played by Barry Bostwick. Flaherty ran the city with a team that included a nervous press secretary, a sexist chief of staff, a gay activist running minority affairs, a sharp accountant, and an idealistic young speechwriter. Each character was professionally capable but personally challenged, and the show spent its runtime juggling their work duties with their messy lives.

Trailer, via Shout! Studios.

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The Staff That Made the Show Work

The supporting cast carried the show. Richard Kind played Paul Lassiter, the anxious and insecure press secretary who was also the office snitch. Alan Ruck played Stuart Bondek, the sexist chief of staff who thought of himself as a lothario. Michael Boatman played Carter Heywood, the impeccably groomed gay activist running minority affairs, and he brought a dog named Rags into the mix. The two men became so close that their arguments sounded like husband and wife, and a whole episode was dedicated to the idea that they might be married.

Paul Lassiter’s arc was particularly rich. He went to the Columbia University Graduate School of Journalism and previously worked for Congressman Chuck Schumer. He married Claudia Sachs, who left him to become a nun. He won the top prize on Who Wants to Be a Millionaire in an ABC crossover. By the end of the show, he moved into an apartment across the hall from Carter and Stuart.

The show’s strength came from its willingness to let these characters be fully formed people rather than mere comic types. Paul was a troublemaker and a coward, but he was also a victim of practical jokes and mishaps. Stuart was narcissistic and a love-rat, but he was unsuccessful at maintaining a relationship. Carter was a gay black man with a suicidal dog, and he remained idealistic even as the show wore on.

The Mike Flaherty Years

Michael J. Fox anchored the show for its first four seasons. Flaherty was a playboy who lived in a New York City bachelor pad, constantly balancing his personal life and his job while trying to maintain a healthy distance between the two. He was talented at his job, dealing with political spin and office chaos, but not so good at managing his personal life, which he neglected.

Flaherty left the mayor’s office at the end of season four after taking the blame for an unknown mob connection the Mayor had. Fox left the series due to Parkinson’s disease, but he returned during the first three episodes of the sixth season, culminating in his marriage. The show’s writers handled the departure gracefully, allowing Mike to leave with dignity rather than simply fading away.

Charlie Sheen took over as the lead for the final two seasons as Charlie Crawford. Crawford was a playboy and at first struggled to keep his troubled past from getting in the way of his new position. He eventually became romantically involved with Caitlin Moore by the end of the series’ run. He was also romantically involved with Jennifer Duncan, played by Sheen’s real-life partner at the time, Denise Richards. His father was played by Sheen’s real-life father Martin Sheen.

Sheen’s presence changed the tone of the show. Crawford was more volatile than Flaherty, and the show leaned into his troubled history in a way that the earlier seasons had not. The transition was smooth enough that longtime viewers did not feel lost, but the show did lose some of its early charm.

The Caitlin Moore Factor

Heather Locklear played Caitlin Moore, the sharp and efficient, man-crazy accountant. She had a comically healthy relationship with her mother and often talked to her openly about sex and other taboo subjects. Her relationship with Charlie Crawford developed slowly over the final two seasons, and it became one of the show’s central romantic arcs.

Caitlin was a standout performer. Her scenes were often the sharpest in the show, and she provided a counterpoint to the show’s male-dominated ensemble. The show’s writers used her as a foil for the men around her, letting her call them out on their sexism and their insecurities.

The Speechwriter and the Secretary

James Hobert, played by Alexander Chaplin, was the weak-willed and gullible speechwriter. He was a minor character, but he provided comic relief in the early seasons. Janelle Cooper, played by Victoria Dillard, was the no-nonsense, pragmatic secretary who was slightly apathetic towards the general chaos of her work. She later became the mayor’s secretary, and Stacey Paterno, played by Jennifer Esposito, joined the show as Mike’s secretary and Paul’s nemesis.

These characters rounded out the staff, giving the show a complete picture of City Hall. Hobert was a punching bag for the more confident members of the staff, while Janelle and Stacey provided a female perspective on the office’s day-to-day operations.

The Carter and Stuart Friendship

The nature of Carter and Stuart’s relationship became a running gag during the series. Their arguments sounded so much like husband and wife that a whole episode was dedicated to the notion that they might be married. The two ended up becoming so close that their friendship was mocked by others.

The show’s writers knew exactly what they had in this pairing. Carter was the calm center of the storm, while Stuart was the manic energy. Their scenes together were often the funniest in the show, and their relationship gave the series a heart that few sitcoms of its era could match.

The ABC Crossover

The show crossed over with Who Wants to Be a Millionaire, and Paul Lassiter won the top prize. It was a clever move, tying into a popular game show while also giving Paul a moment of triumph. The crossover worked because the show had already established Paul as a competent professional who was often underestimated.

The Ending

The show ended in 2002 after six seasons and 145 episodes. The final season saw Charlie Crawford and Caitlin Moore end up together, and the show closed with the staff still running City Hall, still arguing, still loving each other despite themselves.

“Their arguments sounded so much like husband and wife.”

That line captures the show’s spirit. It was a comedy about grown-ups, about people who were smart at their jobs but terrible at everything else. The show understood that the best humor comes from watching people try and fail, and it never lost sight of that.

Ranking the Seasons

  1. Season 1-3: The strongest years, when Michael J. Fox was the lead and the show was finding its footing.
  2. Season 4: A transitional season that handled Fox’s departure with grace.
  3. Season 5-6: The Charlie Sheen years, which were uneven but still entertaining.
  4. Season 6: The final season, which tied everything together but felt rushed in places.

The show was at its best when it was focused on its characters. The political plots were secondary to the personal ones, and the show never let its satire overwhelm its humanity. The staff was a family, and the show treated them as such.

“Spin City” is a show that deserves to be remembered. It was funny, smart, and emotionally honest, and it managed to stay that way for six seasons. It is a reminder that sitcoms can be about more than jokes, and that characters can be complex without losing their appeal.

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