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Swift Ranks Every Track on Her New Album ‘The Life of a Showgirl: The Encore’

A ranking of Taylor Swift's full 'The Life of a Showgirl: The Encore,' including all 16 tracks from the deluxe edition.

By mitch·7 min read
A pop star stands center stage under bright lights amid a glittering audience.

Taylor Swift surprised fans on Sept. 29, 2026, by announcing a deluxe edition of The Life of a Showgirl — an album she previously promised would contain exactly 12 songs. The new version, titled The Life of a Showgirl: The Encore, adds four bonus tracks. Billboard has ranked all 16 songs across both sets, and the combined ranking offers a fresh look at the glittering era.

Swift revealed the 12-song album on Aug. 13, 2025, during an appearance on Travis Kelce’s podcast New Heights. She said at the time that she would not add any bonus cuts beyond that number. The surprise release of the deluxe edition means that promise is now broken, and the ranking gives fans a guide to everything that actually arrived.

The album arrives with a film event called Taylor Swift: The Official Release Party of a Showgirl, which features the music video for the lead single “The Fate of Ophelia,” lyric videos for the other tracks, and Swift’s own commentary on the songs. The twin releases kick off a busy October for the megastar, with pop fans watching closely to see what new Billboard records she might set.

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The Encore Adds Four Songs

The deluxe edition includes four tracks not on the standard album. The ranking combines two separate reviews — one from Jason Lipshutz covering the original 12 songs, and one from Hannah Dailey covering the four new ones — into a single list of all 16 tracks.

The ranking is a useful way to sort through the material. It ranks the songs in order, from the strongest to the weakest, according to the critics’ judgment. The list is the paper’s own assessment, not an official chart.

The four bonus tracks are:

  • “Wi$h Li$t”
  • “Cleveland!”
  • “Father Figure”
  • “Actually Romantic”

“Wi$h Li$t”: Suburbia Dreams

“Wi$h Li$list” is a shrugging attitude toward fame. Swift sings about wanting a simpler life, free of the many accolades that define her career. The track has a chiming arrangement built around keys and pedal steel guitar, with a playful vocal performance that slides into falsetto and a rap delivery.

The song sways and beguiles throughout, but it earns its best moments near the end. Swift confesses to both her romantic partner and her shifting personal priorities with the line “You caught me off my guard.” The confession grounds the otherwise breezy track in something closer to vulnerability.

“Cleveland!”: Kelce Celebration

“Cleveland!” is the most direct love song on the entire project. Swift celebrates her romance with Travis Kelce, whose home city is the Ohio metropolis of the same name. The track uses the hate comments directed at Swift on a daily basis to underscore the love her husband has for her.

“The taste of me is acquired, but it’s his favorite dish,” she sings. That line captures the core of the song: Swift is not interested in winning everyone over. She is content with the one person who truly gets her.

The song also leans into the criticism about the way she dresses, dances and acts. Swift admits, “I can see what you mean / And now I guess there’s something we all can agree on / But my baby likes what he likes.” That admission turns the criticism into a shared joke rather than a wound.

The drum roll that comes before each chorus is the song’s standout element, according to Dailey. It is incredibly fun, and it gives the track a rhythmic pulse that keeps it moving.

“Father Figure”: Mob Boss Mode

“Father Figure” is where Swift channels her inner gangster. She embodies the perspective of a don backstabbed by a former protege, and the double-crossed characterization is worth parsing. The sneering lyrics include the line “I can make deals with the devil / Because my d—k’s bigger,” tossed out with confidence.

Swift excels in this chest-thumping mode. The song is a firehose of authority through every turn of phrase, and the ranking reflects that strength. The George Michael interpolation is deployed subtly but pays off with a late key change.

“Actually Romantic”: Reddit Memes

“Actually Romantic” is the song that will likely launch a thousand Reddit threads. It is a knowingly dismissive takedown of someone who has been talking trash about Swift. The foundation of the song is musical rather than lyrical, which makes it a power-pop standout.

The chug-chug-CLAP cadence will be familiar to anyone who rocked out to Weezer’s “Beverly Hills” 20 years ago. The comparison holds up, and the ranking places the song among the stronger entries on the deluxe edition.

The song is vicious, but it wields that viciousness with grade-A power-pop. The chug-chug-CLAP pattern is the engine, and Swift delivers it with confidence. The ranking notes that the song is the pop embodiment of the Mad Men “I feel bad for you / I don’t think about you at all” meme, which gives it a cultural context that extends beyond the album itself.

“CANCELLED!”: Dark Comedy

“CANCELLED!” is a direct descendant of Swift’s past collaborations with Max Martin and Shellback on Reputation. The track takes a sardonic view of modern celebrity that involves “the art of never getting caught.”

The guitar chug returns a few songs later, but with more heft and effective lyrical jabs. Part of the fun of the Reputation era was listening to Swift transform her wounds into an icy resolve, and “CANCELLED!” nicely re-enacts that metamorphosis.

“Patient Zero”: Vigilante Bag

“Patient Zero” was announced as a single before the rest of the deluxe edition. It will soon get a cinematic music video starring Colin Farrell and Dakota Johnson, premiering at the 2026 VMAs. The song finds Swift back in her “Vigilante S—t” bag, extending an arm out to her toxic ex’s new woman and offering an alliance based in unlikely sisterhood.

The song is stacked with percussive vocal harmonies, with an intriguingly folksy violin melody woven through Martin and Shellback’s glimmering pop production. The ranking notes that the song features one of Swift’s chattiest bridges — mimicking a gleeful flow state that can only be achieved by two girls talking shit about a guy who sucks.

The Ranking’s View

The ranking is a composite of two critics’ judgments, and it offers a clear hierarchy of the material. The original 12 songs were ranked separately, and the four bonus tracks were added to create a single list of all 16 songs.

The ranking places the deluxe edition tracks in context with the original album. That means listeners can see which bonus tracks hold up and which ones feel like filler. The list is a useful tool for anyone who wants to know which songs are worth revisiting.

The ranking also gives a sense of the album’s shape as a whole. The original 12 songs were designed as a cohesive set, and the bonus tracks extend that set in different directions. Some of the bonus tracks lean into the love story with Kelce, while others explore darker territory like betrayal and revenge.

Key Facts Box

  • Album: The Life of a Showgirl: The Encore
  • Standard tracks: 12
  • Bonus tracks: 4
  • Total tracks: 16
  • Release date: Oct. 3, 2025
  • Deluxe announcement: Sept. 29, 2026
  • VMAs premiere: 2026
  • Film event: Taylor Swift: The Official Release Party of a Showgirl

The ranking is a useful guide to the material, but it is also a snapshot of a moment. Swift’s career is constantly evolving, and what feels essential today may feel different tomorrow. The ranking captures the album as it exists now, but it does not predict how it will age.

The deluxe edition is a bold move. Swift broke her own promise to release the album with exactly 12 songs, and she did it with a surprise announcement. That surprise factor is part of the appeal, and it shows that Swift is still willing to shake things up.

The ranking is a reminder that the album has substance beyond its marketing. The songs are varied, and the deluxe edition adds depth rather than padding. The bonus tracks are not filler — they are extensions of the themes that run through the original album.

The ranking also shows that the album has a clear identity. The original 12 songs were designed as pop bangers, and the bonus tracks extend that identity in different ways. Some of the bonus tracks lean into the love story with Kelce, while others explore darker territory like betrayal and revenge.

Source material: “Taylor Swift’s Full ‘The Life of a Showgirl: The Encore’: All 16 Tracks Ranked,” Billboard.

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