
Miley Cyrus Goes Full Artist on ‘She Is Miley Cyrus,’ and Mostly Gets Away With It
A review of Miley Cyrus' SHE IS MILEY CYRUS, a record of reinvention and self-referential messiness.


A review of Miley Cyrus' SHE IS MILEY CYRUS, a record of reinvention and self-referential messiness.

Troye Sivan's Bloom pairs playful vulnerability with anthemic power, anchored by Seventeen and the title track.

A review of Miley Cyrus's debut album Meet Miley Cyrus, a restless pop record of covers and shifting genres.

Lizzo's 2015 album 'Big GRRRL Small World' balances rap, soul, and humor, earning a confident 7.9/10.

A sprawling record of pop, noise, and confession, wherein Miley Cyrus proves she can do anything — but whether it all lands is another matter.

Miley Cyrus trades stage for couch on Younger Now, a pleasant but forgettable pop record with one standout track.

A look back at Miley Cyrus's 2008 album Breakout, a pop record caught between Hannah Montana and her own identity.

A record of indulgence, pleasure, and consequence, wherein Miley Cyrus abandons subtlety for a loud, unrepentant thesis.

A review of Bad Bunny's X 100PRE, a guest-heavy debut album that balances trap, reggaeton, and pop crossover.

Bad Bunny's nadie sabe lo que va a pasar mañana is a dark, paranoid portrait of fame, with highs that justify its length.
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