
Bad Bunny’s Farewell Tour Is a Party, Not a Goodbye
A farewell tour album dressed as a party: 16 tracks, 47 minutes of trap, reggaeton, and salsa fusion, never quite committing to its own goodbye.


A farewell tour album dressed as a party: 16 tracks, 47 minutes of trap, reggaeton, and salsa fusion, never quite committing to its own goodbye.

A review of Lizzo's debut album Lizzobangers, a rap record of jokes, politics, and sheer force of personality.

ROSALÍA's LUX runs 18 tracks and 60 minutes, moving between intimate intimacy and loud excess.

Rosalia's Los Angeles blends flamenco tradition with modern production for a bold, occasionally uneasy hybrid.

A review of Doja Cat's fifth album, Vie, a smooth, '80s-inspired love record that finds confidence in its own lane.

Doja Cat's Scarlet fights back against last season's insults, but the reactive record can't build a blockbuster.

Adele's 25 balances grief and growth across eleven tracks, anchored by 'Hello,' 'I Miss You,' and 'All I Ask.'

A record of many voices, one singer alone — a poem unlimited, dark and layered, demanding patience.

U.S. Girls' Scratch It pairs danceable immediacy with weighty themes, anchored by standout tracks Like James Said and Dear Patti.

Halsey's BADLANDS builds castles and ghosts alike, a competent record whose best songs earn their keep while the rest drift.
As an Amazon Associate, Clay Tribune earns from qualifying purchases.