
Patti Smith’s Dizzy Ecstasy Pilgrimage, Anchored by Her Own Voice
A pilgrimage of sound, chant, and trance wherein Patti Smith's voice weaves through ancient Ethiopian ritual towards dizzy ecstasy.


A pilgrimage of sound, chant, and trance wherein Patti Smith's voice weaves through ancient Ethiopian ritual towards dizzy ecstasy.

A look back at Amy Winehouse's debut album Frank, a soul-pop record that announces a great talent before she learned to control it.

A live beast of a record, where Public Enemy's fury and fire never cease, a document of their mighty rage against the machine.

Public Enemy's Apocalypse 91… The Enemy Strikes Black is a blunt, direct manifesto of anger and wit.

Public Enemy's Revolverlution review: a live record proving the group's fire still burns, anchored by a thrilling Fight the Power.

Public Enemy's new record honors overlooked heroes with heavy, angry tracks. A fair, focused statement.

Public Enemy's return to form delivers sharp political commentary and a potent remix of a classic anthem on their new album.

Public Enemy's 2012 album The Evil Empire of Everything restates their warnings against corporate greed and racial injustice with urgency.

A sprawling protest record from Public Enemy, tracing the sale of America's soul through song, speech, and comic lore.

A review of The Velvet Underground's Squeeze, a pale imitation of Loaded that never quite finds its own voice.

A review of The Complete Matrix Tapes, forty-three live songs by The Velvet Underground, including rare tracks and full versions of classics.

A strange beast of covers and originals, this Velvet Underground album struggles to live without its departed scribe.
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