
Noise by Noise: Public Enemy’s ‘It Takes a Nation of Millions to Hold Us Back’ Still Takes What It Wants
A record from 1988 that takes attention and never gives it back, full of noise, fury, and voice.


A record from 1988 that takes attention and never gives it back, full of noise, fury, and voice.

A farewell record of mood, not song, wherein Pink Floyd leaves much unsaid, and calls it, at last, an ending.

A grim tale of Neil Young's 1988 Bluenotes record, its banned title song, and the guitar that saves it from excess brass.

Neil Young turns country on Old Ways, ten plain tracks of steel guitar and sentiment, with four songs worth keeping.

A look at Neil Young's 1986 Landing on Water, where heavy production covers the writing beneath its own weight.

Neil Young's Freedom opens soft and ends loud with Rockin' in the Free World, a record that holds every side of his sound together.

A look back at Pink Floyd's The Wall, a sad tale of a man's solitude, wall raised stone upon stone through spirit and sound.

A voice made distant by machines: Neil Young's Trans weighs feeling against synthesizer and voice box, a strange record time has judged kindly.

A single day in Compton becomes a full story across fifteen tracks, a good kid moving through a mad city without losing the fire.

Volume 2 gives quiet, gentle new life to old Bouncing Souls songs — a calm look back rather than a bold new work.
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