
‘Cognitive Dissonance’ Was an Issue While Filming You Can See Everything
A documentary about Elizabeth Holmes wherein the filmmakers themselves cannot agree upon the truth they behold.


A documentary about Elizabeth Holmes wherein the filmmakers themselves cannot agree upon the truth they behold.

A Houston podcast weaves three tales: a filmmaker's bayou tale, a reporter's tale of stars, and a mother's tale of sorrow.

A woman's coin trade with a talking cat sends her to a realm of luck, where fortune's whims mock her every step.

Resident Evil Requiem's sales top $500m, but its opening weekend was beat by Capcom's own price drops on older games.

A retired surgeon's scheme joins two girls into a living chain, in a horror film of literal dread and terrible patience.

Katzenberg says resisting AI is pointless, arguing technology expands the canvas rather than diminishes the craft.

A tale of Rocky Balboa, who, after his triumph over Ivan Drago, falls into ruin, debt, and a broken heart.

A retro 110D camera marries film-era design with digital convenience. Here's what makes it stand out.

Mockingjay Part 2 review: the final Hunger Games film, Philip Seymour Hoffman's last role, and a war ending that refuses a clean victory.

Tyler Perry returns with Why Did I Get Married Again? — a 6/10 reunion with Taraji P. Henson and Jill Scott that restates the question in a nicer location.
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