
Refn’s Model-Murder Fable Still Can’t Find Anything Beneath the Surface
The Neon Demon review: Refn's gorgeous, hollow fashion horror with Elle Fanning and Jena Malone. Beautiful cinematography, thin screenplay, 5.1/10.


The Neon Demon review: Refn's gorgeous, hollow fashion horror with Elle Fanning and Jena Malone. Beautiful cinematography, thin screenplay, 5.1/10.

A review of The Boy (2016): Greta Evans nannies a life-sized doll in a remote English village. Lauren Cohan stars in a thin horror with a strong premise.

Mama (2013), Andy Muschietti's debut, scares for an hour before explaining its ghost. A review of the Jessica Chastain horror hit.

A father-and-son morgue team meets a corpse that won't behave like one. André Øvredal's 2016 horror film, reviewed.

M. Night Shyamalan's found-footage horror The Visit turns 11. A close look at Nana, Pop Pop, the camcorder, and why the twist still works.

A review of Scott Derrickson's The Black Phone, with Ethan Hawke as the Grabber: a tight, well-acted horror film built on one strong idea.

A review of Scott Derrickson's Sinister, praising its Super 8 horror premise and Ethan Hawke's performance while faulting its reliance on jump scares.

Yellow Eyes, a Joe Swanberg-produced possession horror from director Jesse Korman, hits Screambox and Cineverse with a cursed relic and a 86-minute runtime.
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