
Melvins Dig Deeper Into Noise on The Bride Screamed Murder
A review of Melvins' 13th album, a dense, exhausting listen that buries pop hooks under mountains of distortion.


A review of Melvins' 13th album, a dense, exhausting listen that buries pop hooks under mountains of distortion.

A review of the Melvins' 2014 double album Hold It In, weighing its strengths and weaknesses against its critical standing.

A restless record of sitar freakouts, doom crawls, and a singer who bends the whole thing into something sharper.

A brutal death-metal statement and a loose rock record collide in Savage Imperial Death March.

A record of heavy weight and short songs, wherein a band struggles to escape the repetition that binds it.

A record of old songs made new again, a jest and a solemn statement, wherein a wall is both broken and built anew.

A heavy, patient record from a band who refuse to rush, blending sludge with guest guitarist Dylan Carlson.

A review of the Melvins' 1994 album Prick, a deliberate, heavy grind of slowcore rock that rewards patience and punishes skimmers.

The Melvins' covers album Everybody Loves Sausages turns nostalgia into a live wire, with standout tracks like 'In Every Dream Home.'

A vast acoustic work wherein the Melvins strip their own songs of electric noise, testing whether power remains when volume departs.
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