
Stevie Wonder at 17: One Great Single Padded With Covers and Imitations
Stevie Wonder's 1967 cash-in album I Was Made to Love Her pairs a timeless hit with filler covers. A snapshot of a prodigy before his breakthrough.


Stevie Wonder's 1967 cash-in album I Was Made to Love Her pairs a timeless hit with filler covers. A snapshot of a prodigy before his breakthrough.

Marvin Gaye and Kim Weston's 1966 album Take Two: a solid, polished set led by the classic 'It Takes Two' and the ballad 'What Good Am I Without You.'

Marvin Gaye's 1966 album Moods of Marvin Gaye marks his transformation from hit-maker to icon, with standout singles and bold covers.

Diana Ross and Marvin Gaye's 1973 album pairs two legends for a 31-minute pop record built on undeniable chemistry, strong singles, and light romance.

Marvin Gaye's 1981 album In Our Lifetime is a raw, fractured portrait of an artist at war with himself—messy, confrontational, and occasionally brilliant.

Review: Marvin Gaye and Tammi Terrell's final album together, Easy, is a bittersweet farewell, with Valerie Simpson filling in as Terrell's health declined.

Marvin Gaye and Tammi Terrell's 1967 album United captures pure vocal chemistry, from the classic opener to hidden gem 'Two Can Have a Party.'

Marvin Gaye's 1970 album That's the Way Love Is showcases his vocal genius across 12 tracks, with standout ballads and a few filler cuts. A transitional gem.

Marvin Gaye's 1964 detour into Broadway standards is a bold, uneven experiment. We review the album's highs and lows, from 'My Way' to 'Hello, Dolly!'
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