
The Lighthouse: Two Men, One Rock, and No Compromise
Robert Eggers' The Lighthouse, explained: Pattinson and Dafoe, the 1.19:1 frame, the Poe origin, the mermaid, and why it defies genre.


Robert Eggers' The Lighthouse, explained: Pattinson and Dafoe, the 1.19:1 frame, the Poe origin, the mermaid, and why it defies genre.

Death Proof review: Tarantino's Grindhouse slasher stalls in a long Austin bar crawl, then roars to life in a Tennessee car chase with real stunt work.

First Man review: Damien Chazelle's quietest, hardest film, with Ryan Gosling as Neil Armstrong. A grief drama that happens to contain a Moon landing.

Enchanted (2007) review: Amy Adams as a Disney princess in modern Manhattan, with Patrick Dempsey, James Marsden and Susan Sarandon. Score: 7.5/10.

Ben Affleck's 2010 Boston heist thriller The Town, reviewed: Renner's Oscar-nominated turn, the Fenway finale, and why Claire stays a plot device.

Disney's 1953 Peter Pan flies brisk and bright at 77 minutes, but its caricature and sagging middle keep it from landing. A look at the film.

Law Abiding Citizen squanders Gerard Butler and Jamie Foxx on a revenge thriller that mistakes escalation for argument. Our review: 3.4 of 10.

28 Weeks Later review: a guilt-ridden father opens the door, the safe zone falls, and the infection logic still holds. Audience score 6.6/10.

Terminator: Dark Fate review: the 2019 sequel brings back Linda Hamilton and Arnold Schwarzenegger, but the box office shows the script fell short.

The Tourist (2010) review: Depp and Jolie on a train to Venice, a $278.8M gross, and a film that never picks a genre. Score: 3.7 of 10.

Brother Bear (2003) review: Disney's transformation fable has a great premise, a $250M gross, and a 4.8/10 screenplay that wastes it.

Non-Stop review: Liam Neeson plays an air marshal racing a 20-minute death clock on a transatlantic flight. Tense gimmick, thin mystery, forgettable finish.
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