
Samara Weaving’s Wedding-Night Survival Game Still Cuts Clean at 90 Minutes
Ready or Not review: Samara Weaving fights a murderous wedding-night ritual in this 96-minute horror comedy that grossed $57.6M on a $6M budget.


Ready or Not review: Samara Weaving fights a murderous wedding-night ritual in this 96-minute horror comedy that grossed $57.6M on a $6M budget.

Steven Spielberg's Hook (1991) turned Peter Pan into a workaholic lawyer. Robin Williams, Dustin Hoffman and 142 minutes of missed potential.

A review of Tony Scott's 2004 thriller Man on Fire, starring Denzel Washington and Dakota Fanning, from its Mexico City setup to its 2026 Netflix remake.

Creed II review: Michael B. Jordan returns as Adonis Creed against Viktor Drago, with Stallone's final turn as Rocky carrying the emotional weight.

Coppola's Bram Stoker's Dracula (1992) review: Oldman's dual performance, Eiko Ishioka's Oscar-winning costumes, and a romance that doesn't hold.

Chronicle review: Josh Trank and Max Landis turned a $12–15 million debut into $127 million. A smart, mean character study that loses its nerve.

Southpaw review: Jake Gyllenhaal's boxer loses everything, Forest Whitaker rebuilds him, and the script never earns its redemption. A 5.7 out of 10.

Transcendence review: Wally Pfister's Johnny Depp A.I. drama wastes a strong cast on a lecture. Score: 4.2 of 10.

A review of Martin Brest's 1998 film Meet Joe Black, starring Brad Pitt and Anthony Hopkins. A three-hour romance that stretches patience thin.

Wind River review: Taylor Sheridan's 2017 crime thriller with Jeremy Renner and Elizabeth Olsen, and what it gets wrong about murdered Indigenous women.

A review of Spielberg's 2011 animated adventure The Adventures of Tintin, praising Andy Serkis's Haddock while noting the hollow center of its hero.

In Bruges review: McDonagh's 2008 debut sends two hit men to Belgium, with Colin Farrell and Brendan Gleeson. Sharp dialogue, uneven shape. 6.7/10.
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