
Parquet Courts Stretch Their Literate Punk Into A Bold Double Album
A review of Parquet Courts' sprawling double album Sunbathing Animal, weighing its ambitious highs against its dense, uneven middle.


A review of Parquet Courts' sprawling double album Sunbathing Animal, weighing its ambitious highs against its dense, uneven middle.

IDLES' Ultra Mono turns fury into music, refusing to please anyone. A worthy, uneven record of anger and art.

A record of endurance, a mission statement of voice, where people have power and dreams cross paths.

A review of The Great Banana, a landmark 1994 reissue of the Velvet Underground's 1967 debut, ranking it among the finest albums of its era.

The Clash's second album traded raw punk for studio polish. A 1978 record caught between ambition and energy, with 'Stay Free' as its classic core.

The Clash's 1977 debut is a raw, urgent punk document of London's discontent — 34 minutes of speed, spit, and social fire that still resonates.

Combat Rock is the Clash's odd, confident commercial breakthrough — a tense mix of radio hits, jagged experiments, and political fury that still rocks.

The Clash's Sandinista! was a messy, ambitious triple album that baffled fans in 1980 but now looks prescient. A reassessment of its excess and achievement.

A track-by-track review of the 2002 punk split between The Bouncing Souls and Anti-Flag, weighing catchy hooks against political anthems.

The Bouncing Souls' 'Born to Be' is a 25-minute blast of fast, fun punk rock. Consistency is both a strength and a weakness. Read our review.
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