
The Great Banana at 32: How the Velvet Underground Refused to Compromise
A review of The Great Banana, a landmark 1994 reissue of the Velvet Underground's 1967 debut, ranking it among the finest albums of its era.


A review of The Great Banana, a landmark 1994 reissue of the Velvet Underground's 1967 debut, ranking it among the finest albums of its era.

The Clash's second album traded raw punk for studio polish. A 1978 record caught between ambition and energy, with 'Stay Free' as its classic core.

The Clash's 1977 debut is a raw, urgent punk document of London's discontent — 34 minutes of speed, spit, and social fire that still resonates.

Combat Rock is the Clash's odd, confident commercial breakthrough — a tense mix of radio hits, jagged experiments, and political fury that still rocks.

The Clash's Sandinista! was a messy, ambitious triple album that baffled fans in 1980 but now looks prescient. A reassessment of its excess and achievement.

A track-by-track review of the 2002 punk split between The Bouncing Souls and Anti-Flag, weighing catchy hooks against political anthems.

The Bouncing Souls' 'Born to Be' is a 25-minute blast of fast, fun punk rock. Consistency is both a strength and a weakness. Read our review.

Mannequin Pussy's I Got Heaven fuses hardcore punk rage with power-pop hooks for their most precise, brutal record yet.

Amyl and the Sniffers push past pure punk on Cartoon Darkness, mixing pop hooks and vulnerability with their raw snarl.

IDLES turn rage into release on Joy as an Act of Resistance, a fierce, funny, tender punk record about modern Britain.

The Bouncing Souls return to quick, short songs on their new record, a swift turn back to what once made them work.

A band stares down ruin and turns fury into song: London Calling stands as fire that will not be tamed by time.
As an Amazon Associate, Clay Tribune earns from qualifying purchases.