
All Roads Lead Home Review: Every Detour in This Anthology Circles Back to the Same Front Door
Neil Young and Crazy Horse's classic lineup reunite for a loose, scattered album of individual moments. Review: 6/10.


Neil Young and Crazy Horse's classic lineup reunite for a loose, scattered album of individual moments. Review: 6/10.

Billy Joel says loud concerts caused nerve damage and worsened his brain condition, leading him to cancel shows and get a shunt.

The Rolling Stones return with Hackney Diamonds, a rock record that proves the band hasn't lost its edge.

A review of Foo Fighters' 2017 album Concrete and Gold, polished, ambitious, and consistently solid without breaking new ground.

A solitary guitar, a haunted voice: Neil Young's Le Noise, a raw and singular record from an artist who will not rest.

A review of Neil Young's Mirror Ball, a loud, quickly made record where a backing band pushes his old pictures into rough, free shapes.

A wild, revisited highway of rock: Dylan's electric 1965 record, dared and never forgotten, holds a lofty rank among great works.

The Gaslight Anthem's History Books weighs memory against time passing, trading youth for a quieter, plainer sound.

A band tries to burn down its own reputation. Get Hurt reaches hard for change without fully landing the effect. Score: 62 out of 100.

A record of car radios and dead friends, twelve songs long, not one wasted upon the ear.
As an Amazon Associate, Clay Tribune earns from qualifying purchases.