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‘The Devil Is a Part-Timer!’ Turns a Demon Lord Into a Fast-Food Worker

A demon lord sent to modern Tokyo becomes a burger flipper at MgRonald's, watched by a hero in disguise.

By mitch·3 min read
A demon lord dressed in a fast food uniform stands amid a bustling modern city street.

“The Devil Is a Part-Timer!” takes a simple idea and runs with it. Satan loses a battle against the hero Emilia, gets sent through a portal to modern-day Tokyo, and starts flipping burgers at a fast food joint called MgRonald’s. That setup sounds like a sitcom pitch. It plays out as a comedy that mostly delivers on its promise.

The show is built around a contrast between its fantasy premise and its mundane setting. Satan, once a demon lord, is now just a man named Sadao Maou working part-time. His generals, Alciel, Lucifer, Malacoda, and Adramelech, become human too and struggle with jobs like telemarketing and housekeeping. The humor comes from watching these powerful figures act powerless in a world that doesn’t understand magic.

Trailer, via Crunchyroll Dubs.

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The Setup

The story opens with Satan trying to conquer Ente Isla, a fantasy realm. He teams up with his generals, and after Emilia and her companions kill Malacoda and Adramelech, he and Alciel flee through a portal to Tokyo. There, they lose their powers and their demonic forms, and the show tracks how they adapt.

Emi Yusa, a girl Sadao meets at the restaurant, turns out to be Emilia in disguise. She follows him to keep an eye on him, which sets up the show’s central dynamic: a demon lord working a regular job while a hero watches over him.

What Works

The show’s strengths lie in its character work. Ryota Osaka voices Sadao Maou with a mix of charm and exasperation, making him easy to root for even when he’s bumbling. Yoko Hikasa brings a grounded warmth to Emi Yusa, and the supporting cast, including Nao Toyama as Chiho Sasaki, Yuki Ono as Shirō Ashiya, Hiro Shimono as Hanzō Urushihara, Kanae Itou as Suzuno Kamazuki, and Hina Kino as Alas Ramus, each gets room to develop.

The writing leans heavily on satire. Satan’s attempts to plan his next move while stuck in a fast food joint are genuinely funny, and the show doesn’t take itself seriously when it shouldn’t. The parody of McDonald’s as MgRonald’s adds a layer of self-aware humor that keeps the tone light.

Where It Falls Short

The show isn’t perfect. Some jokes rely on repetition rather than wit, and the pacing slows in stretches where the plot stalls. The second season, produced by 3Hz and directed by Daisuke Tsukushi, covers familiar ground, and some viewers might feel the show repeats itself.

The animation is solid but not flashy. It’s functional, which fits the show’s tone, but it doesn’t elevate the material beyond its script.

Comparing the Two Seasons

Season Producer Director Episodes
Season 1 White Fox Naoto Hosoda 13
Season 2 3Hz Daisuke Tsukushi 13 (part 1) + 13 (part 2)

The first season, produced by White Fox and directed by Naoto Hosoda, sets up the premise well. The second season, split across two parts, extends the story but doesn’t push it in new directions.

Ranking the Generals

Here’s how the show’s main supporting characters stack up:

  1. Alciel, voiced by Hina Kino, gets the best comedic material as a housekeeper who can’t cook.
  2. Lucifer, voiced by Hiro Shimono, plays a straight-faced bureaucrat who struggles with paperwork.
  3. Malacoda and Adramelech, killed early in the story, don’t get enough screen time to rank.
  4. Chiho Sasaki, voiced by Nao Toyama, and Shirō Ashiya, voiced by Yuki Ono, fill out the ensemble without standing out.

Final Word

“The Devil Is a Part-Timer!” is a comedy that knows its limits. It doesn’t try to be a deep fantasy epic, and it doesn’t need to be. The show succeeds when it lets its characters breathe and fails when it pads out its runtime with filler.

The score is 7.4 out of 10, a fair mark for a show that is consistently amusing without reaching for greatness. It’s worth watching for anyone who enjoys light, character-driven comedy, and it holds up as a pleasant watch rather than a demanding one.

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