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Twelve Years On, Broad City’s Friendship Comedy Still Holds Up — 7.5/10

A look back at Broad City, Comedy Central's five-season tale of two NYC women whose friendship anchors its absurdist, heartfelt comedy.

By mitch·5 min read
Two women laugh together on a bustling New York City sidewalk.

Broad City ran for five seasons on Comedy Central, and it remains one of the best comedies about adulthood ever made. The show follows Abbi Abrams and Ilana Wexler, two women trying to make it in New York City, and it turns the smallest daily events into something both hilarious and oddly moving. It is a comedy that never forgets that grown-ups have bills and fears and insecurities, and it treats those things with genuine warmth.

Trailer, via Roadshow Films.

Abbi and Ilana

Abbi Abrams, played by Abbi Jacobson, is the more anxious half of the pair. She is neurotic, kind, and deeply afraid of failure. Ilana Wexler, played by Ilana Glazer, is the opposite: confident, blunt, and often cruelly honest. Together they form a bond that feels effortless and real, and the show rarely lets their relationship rest on easy platitudes. They fight, they disappoint each other, and they always find their way back.

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The show’s strength comes from the contrast between the two leads. Abbi’s panic attacks and obsessive planning sit next to Ilana’s casual disregard for social norms, and the friction between them drives almost every episode. Jacobson and Glazer wrote the series from their own friendship, and that honesty shows in every scene. This is not a sitcom built on contrived conflict; it is a show about two people who love each other despite their differences.

New York City as a Character

Broad City is set in New York, but it is less interested in the city’s landmarks than in its textures. The show spends time in apartments, on sidewalks, and in bodegas, and it captures the rhythms of daily life in a way that feels specific to the East Coast. There are no sweeping shots of the skyline; instead, there are close-ups of subway signs and street food stalls. This attention to detail makes the show feel lived-in, and it grounds the humor in a sense of place.

The city also functions as a character in its own right. It is unforgiving, expensive, and full of small humiliations. The show never romanticizes New York the way other shows do. It is a place where you can get mugged, lose your phone, or simply get lost, and the show treats these moments with a mix of dread and humor that feels authentic. It is a comedy about surviving, not thriving.

The Web Series Roots

Broad City started as an independent web series produced between 2009 and 2011. That history shows in the show’s structure. Episodes are short, self-contained, and often end on a punchline. The show also retains the improvisational energy of its earlier format, with actors frequently ad-libbing lines and reacting to each other in real time. This gives the series a spontaneity that is rare in network television.

The web series was also based on Glazer and Jacobson’s real-life friendship, and the sitcom follows that same template. The show is not a fictionalized version of their lives; it is a direct extension of them. This intimacy is what makes the show work. It is not a comedy about strangers; it is a comedy about people you know.

The Humor

Broad City’s humor is a strange hybrid. It is a sitcom, but it also borrows from absurdist comedy, surrealist art, and the raw emotional honesty of stand-up. The show often shifts between genres within a single scene, moving from broad physical comedy to quiet introspection in seconds. This tonal instability is part of the show’s appeal. It refuses to settle into a single mode, and it rewards viewers who are willing to follow it down rabbit holes.

The show also has a strong visual sense. Its editing is sharp, and its camera work is playful. It uses split screens, slow-motion, and close-ups in unexpected ways, and these choices help sell the show’s absurdity. The humor is grounded in the mundane, but the presentation elevates it to something more.

The Critical Reception

Broad City received critical acclaim throughout its run. It has been ranked among the best television shows of the 2010s, and its final season drew some of the highest ratings of its career. The show ended on March 28, 2019, after five seasons and 50 episodes.

The show’s legacy is secure. It paved the way for a generation of female-led comedies, and it proved that a show about two young women could be funny, serious, and popular all at once. It is a show that understands that adulthood is not a destination but a process, and it celebrates the awkwardness of that process with genuine affection.

The Verdict

Broad City is a masterclass in character-driven comedy. It takes two distinct personalities and builds a world around them that feels both specific and universal. The show is not perfect. Some episodes drag, and the show’s reliance on absurdism can occasionally feel exhausting. But the core is strong. Abbi and Ilana are unforgettable, and their friendship is the beating heart of everything else on screen.

The show is worth watching for anyone who has ever felt lost in a big city, or laughed at the sheer ridiculousness of adult life. It is a show about failure, friendship, and the small victories that keep us going. It is not always comfortable, but it is always honest.

Key Facts

  • Creator: Ilana Glazer, Abbi Jacobson
  • Network: Comedy Central
  • Seasons: 5
  • Episodes: 50
  • First aired: January 22, 2014
  • Last aired: March 28, 2019
  • Starring: Abbi Jacobson as Abbi Abrams, Ilana Glazer as Ilana Wexler
  • Critical score: 7.5 out of 10
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