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Twenty Years On, Over the Hedge Still Feels Like a Half-Finished Comedy

A hedge divides a forest, and a raccoon named RJ leads timid beasts against the encroaching human world in this animated tale of greed and friendship.

By mitch·8 min read
A raccoon and a turtle stand on either side of a hedge dividing a lush forest.

Over the Hedge is a 2006 animated comedy about a group of animals who wake up one morning to find that humans have built houses over their forest. The premise is simple: nature versus suburbia, with the animals losing ground. What follows is a family-friendly adventure that aims for laughs, warmth, and a message about community, but it doesn’t always land with the force it intends. The film is directed by Tim Johnson, and it features the voices of Bruce Willis, Garry Marshall, Steve Carell, and Wanda Sykes, among others. It runs 84 minutes, and it was released by DreamWorks Animation.

Trailer, via cineAE.

The Hedge That Splits the Animals

The story opens with a hedge that cuts through a forest, dividing it into two camps: the timid animals led by RJ, a raccoon voiced by Carell, and the wary creatures led by a turtle named Verne, voiced by Willis. RJ has spent years raiding human homes for food, but he’s tired of the constant danger. When a new housing development encroaches on his territory, he sees an opportunity. He convinces the timid animals to team up with him to steal food from the humans, promising that they’ll get a share of the spoils.

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The setup is clever. The hedge is both a physical barrier and a symbol of the divide between wild and domestic life. The animals on each side represent different ways of handling fear: the timid ones avoid it, while RJ embraces it as a source of profit. The film spends its early scenes establishing the stakes, and the humor comes from the animals’ reactions to the strange world beyond the hedge.

RJ and the Voice Cast

Steve Carell’s performance as RJ is the engine of the film. His delivery is sharp, and his timing is impeccable. He plays RJ as a fast-talking, opportunistic creature who’s more interested in the next meal than in anyone else’s comfort. Carell brings a genuine warmth to the role, even when RJ is being selfish. His scenes with Garry Marshall’s possum, who provides comic relief, are some of the funniest moments in the movie.

Bruce Willis, as Verne, is less successful. His character is the leader of the timid animals, but the film doesn’t give him much to do beyond being cautious and occasionally grumpy. Willis’s voice work is competent, but it doesn’t leave much of an impression. The dynamic between RJ and Verne is meant to be the heart of the story, but it often feels thin, and the film relies on the supporting characters to carry the emotional weight.

Wanda Sykes voices a skunk named Stella, and her scenes are a highlight. She’s loud, confident, and funny, and she brings a sense of chaos that grounds the film’s more sentimental moments. The chemistry between RJ and Stella is the best part of the movie, and it’s a shame that the script doesn’t spend more time with them.

The Message About Community

The film’s central message is about working together. RJ starts out as a lone thief, but he eventually realizes that he can’t survive on his own. The animals learn to trust each other, and the final act shows them banding together to face a common threat. This is a familiar theme in children’s media, and the film handles it with sincerity. The message is delivered directly, and it’s not subtle, but it’s also not preachy. The filmmakers know what they’re saying, and they say it without beating the audience over the head.

The problem is that the message is undermined by the plot. RJ’s motivation for stealing food is purely selfish, and he doesn’t change until he’s forced to. The film wants us to believe that he’s redeemed, but his actions suggest otherwise. The message about community is undercut by the fact that the animals only come together because they have no other choice. It’s a contradiction that the film doesn’t resolve, and it leaves the ending feeling hollow.

The Humor That Misses

The humor in Over the Hedge is uneven. Some jokes land, others don’t. The film leans heavily on slapstick and sight gags, and there are a few genuinely funny sequences. The animals’ first encounter with a lawn mower is a highlight, and the scene where they try to navigate a human home is also strong. These moments work because they’re grounded in the characters’ personalities and the absurdity of their situation.

But the film also relies on crude humor, and some of it falls flat. There are a few jokes about bodily functions and sex that feel out of place in a kids’ movie. They’re not offensive, but they’re not funny either. The film is rated PG, and it mostly sticks to that rating, but there are a few moments that push the boundaries of what’s appropriate for young audiences.

The pacing is also an issue. The middle of the film drags, and there are stretches where the jokes don’t come fast enough. The runtime is short, but it feels longer than it should. The film could have been tightened, and it might have benefited from cutting some of the slower scenes.

The Animation and Technical Craft

The animation in Over the Hedge is solid. The characters are expressive, and the backgrounds are detailed. The film uses computer animation, and it’s clear that DreamWorks put a lot of effort into making the world look appealing. The forest is lush, and the suburban streets are bright and colorful. The lighting is used effectively, and the movement is fluid. The animation doesn’t stand out as groundbreaking, but it’s polished and professional.

The voice acting is uniformly good. The actors all bring energy to their roles, and they sell the jokes. The sound design is also strong. The film uses a mix of natural sounds and music, and the score is unobtrusive. The sound design supports the action without overwhelming it, and it helps to create a sense of place.

The Final Act and Its Weakness

The third act is where Over the Hedge falters. After building up the threat of the humans, the film resolves the conflict in a way that feels rushed. The villain, a bear named Mr. Wiggins, is introduced late in the story, and his presence is underdeveloped. The bear is supposed to be a danger to the animals, but the film doesn’t give him much screen time, and his defeat is anticlimactic. The resolution is quick, and it leaves the audience wanting more.

The film ends with a moral about cooperation, but it doesn’t feel earned. The animals learn to work together, but the lesson is delivered without the tension that would make it meaningful. The final scene is warm, but it’s also forgettable. The film’s message is clear, but it’s not memorable.

A Decent Film With Flaws

Over the Hedge is a decent film with flaws. It’s not a great film, but it’s not a bad one either. The humor is uneven, the pacing is slow in parts, and the message is muddled. But there are moments of genuine charm, and the voice cast is excellent. Steve Carell is a standout, and Wanda Sykes is a delight. The animation is polished, and the world-building is strong. The film is worth watching, but it’s not essential viewing.

The film is a product of its time. It was made during the golden age of animated comedy, and it shares traits with other films from that era. It’s a safe, family-friendly movie that doesn’t take many risks. It’s not a masterpiece, but it’s not a failure either. It’s a middling entry in the genre, and it will likely be forgotten alongside many of its contemporaries.

Key Facts Box

  • Title: Over the Hedge
  • Director: Tim Johnson
  • Release Year: 2006
  • Studio: DreamWorks Animation
  • Runtime: 84 minutes
  • Voice cast: Bruce Willis, Garry Marshall, Steve Carell, Wanda Sykes
  • Rating: PG
  • Critical score: 6.7/10

The film’s legacy is modest. It was a commercial success, and it helped to establish DreamWorks Animation as a major player in the animated feature market. But it didn’t leave a lasting mark on the industry. It’s a film that’s enjoyable in the moment, but it doesn’t reward repeated viewings. It’s a good movie for a lazy afternoon, but it’s not a film that demands attention.

The film’s weakness is its lack of depth. It’s a surface-level comedy that doesn’t dig beneath its premise. The animals are stereotypes, and their growth is shallow. The film doesn’t challenge its audience, and it doesn’t offer much beyond its simple message. It’s a film that’s easy to watch, but it’s not a film that stays with you.

The film’s strength is its execution. The technical craft is strong, and the performances are good. The film is well-made, even if it’s not well-written. It’s a film that’s enjoyable, even if it’s not memorable. It’s a film that’s worth seeing, even if it’s not worth remembering.

Over the Hedge is a solid, if flawed, animated comedy. It has its strengths, but it also has its weaknesses. The film is a mixed bag, and it’s best enjoyed for what it is: a pleasant, if forgettable, family outing. It’s not a film that will change your mind about animated features, but it’s a film that will pass the time. It’s a film that’s worth watching, but it’s not a film that’s worth remembering. It’s a film that’s enjoyable, but it’s not a film that’s memorable. It’s a film that’s good, but it’s not a film that’s great.

The film’s score is 6.7/10.

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