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When Galileo Calculated the Precise Dimensions of Hell in Dante’s Inferno

How Galileo calculated the precise dimensions of hell in Dante's Inferno, a curious prelude to his scientific revolution.

By mitch·4 min read
An illustrated scene of a grand subterranean hell with a vast arched roof, illuminated by torchlight, evoking Dante's Inferno.

Dante’s Divine Comedy describes hell in specific terms, and in the early part of his career Galileo Galilei was asked to work out the exact dimensions of that place. Years later, once he was better known, he made his position clear that the Earth moves around the Sun, a stand that placed him at odds with the Church, and one that came after a long life of increasing boldness.

The task originated at the Florentine Academy, and Galileo approached it with genuine dedication. He concluded that the ceiling of the underworld must be centered above Jerusalem, extending as wide as the radius of the entire Earth, and no less than 600 kilometers thick. And none of this was the result of casual thinking.

Brunelleschi’s Dome

Galileo looked over to Filippo Brunelleschi’s dome, which had topped the Florence Cathedral for a century and a half at that point. He used the dome as a model for the dimensions of hell’s roof.

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Vellutello vs. Manetti

Galileo’s figures contradicted a previous model put forward by Alessandro Vellutello. Instead, they lined up with a model created by architect Antonio Manetti, whose designs appear in the account of the work. The decision to back one model over the other may well have counted among the motivating factors. Still, we must remember that, in the sixteenth century, getting these facts straight mattered a great deal — if “facts” be the proper term.

The Scriptural Goal

For many centuries, scholars and thinkers attempted to reconcile scripture with objectivity, devoting their lives to the task even as the results remained uncertain. However hopeless that goal may have been, the thought Galileo devoted to the problem may have resulted in a genuine breakthrough.

Peterson’s Argument

Previously highlighted on Open Culture, science historian Mark Peterson has made the case that Galileo’s universe ‘s calculations of Dante’, which we might today describe as non-Euclidean and topology-curved, set down the groundwork for what would become mathematical physics.

The Job at Pisa

Young Galileo’s teachings at the Florentine Academy got him hired as a mathematics lecturer at the University of Pisa. That alone served as a pretty good reason to keep his private doubts to himself.

The Battle Against the Church

When it comes to science and religion, as he must have known, you’ve got to pick your battles. Galileo’s work on hell’s dimensions came before the confrontation with the Church that would later define his career.

Florentine Academy and Its Figures

Galileo was given the assignment by the Florentine Academy, which at that time was under the influence of Brunelleschi and Manetti, both of whom had helped to define the academy’s approach to the sciences.

The Verdict on Galileo’s Hell

A young scientist once applied his mind to a problem that had nothing to do with the empirical world he would later make famous. It was a calculation of the dimensions of hell, a delightful collision of scientific rigor and medieval scripture, though the place in question existed only in the text.

“You’ve got to pick your battles.”

That’s the lesson of Galileo’s hell. You are reading about a man who did the work, got the job, and kept his doubts to himself. The calculation itself is a curiosity, a reminder that even the greatest minds of the past spent time on questions that now seem absurd. But the work behind it was serious, and Peterson argues that it may have laid the groundwork for a revolution in mathematical physics.

The Florentine Academy once had a problem with hell, and Galileo solved it with the same bloody-mindedness that would later make him a hero of science. The calculation of the dimensions of hell shows that science is not always about the future. It is also about the past, and about the people who tried to make sense of scripture through numbers and geometry.

The Hell Dimensions Comparison

Hell’s Roof Brunelleschi’s Dome
Center Jerusalem Florence Cathedral
Radius Earth’s radius Dome’s span
Thickness 600 kilometers Dome’s height

The comparison holds real weight. Galileo was not merely building a model; he was doing the math that would later support mathematical physics, and that work was real.

The Broader Context

For many years, learned men and women attempted to make scripture and objectivity agree, giving their entire lives to the effort though its outcome remained doubtful. Galileo’s work belongs within that larger pattern. The calculation itself sounds now absurd, but it was once undertaken with earnestness. That is the tale worth relating.

Source material: “When Galileo Calculated the Precise Dimensions of Hell in Dante’s Inferno,” Open Culture.

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