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Apple’s WWII drama spends its budget on bombers and forgets the men inside them

Masters of the Air review: Apple's WWII bomber drama soars in the air, stalls on the ground, with strong Austin Butler and Callum Turner performances.

By mitch·6 min read
A bomber flies low over a darkened field as night falls.

Apple’s Masters of the Air had every piece in place: the Band of Brothers lineage, the Playtone and Amblin names behind it, a nine-episode order, and Austin Butler coming off a career-making run. What it delivers is a war drama that flies best when it stays in the air and stalls when it lands.

Trailer, via Apple TV.

The 100th Bomb Group, and What It Flew

Masters of the Air is a 2024 American war drama miniseries created by John Shiban and John Orloff for Apple TV+. It is based on the 2007 book of the same name by Donald L. Miller and follows the 100th Bomb Group, a Boeing B-17 Flying Fortress heavy bomber unit in the Eighth Air Force in eastern England during World War II.

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The premise is simple and unforgiving. The show recounts the story of the 100th Bomb Group and follows bomber crews on dangerous missions to destroy targets inside German-occupied Europe. It portrays the intensity of war, the dangers the airmen face, and the friendships and relationships they develop.

That structure — men climb into a machine, the machine gets shot at, some men come back and some do not — is the whole engine of the thing. When Masters of the Air trusts it, the series is as good as anything Apple has put its name on.

Austin Butler, Callum Turner and the Crew

The ensemble is led by Austin Butler as Maj. Gale ‘Buck’ Cleven and Callum Turner as Maj. John ‘Bucky’ Egan, the two majors whose friendship gives the series its spine. Anthony Boyle plays Lt./Cpt./Maj. Harry Crosby, Nate Mann plays Lt./Cpt./Maj. Robert ‘Rosie’ Rosenthal, and Stephen Campbell Moore plays Maj. ‘Red’ Bowman. Kai Alexander is also credited.

Butler and Turner are the reason the early episodes work. The two actors carry the specific bond the premise promises, and the series is smart enough to keep them in the same frame whenever it can. Boyle’s Crosby is the other performance worth naming — a quieter turn that holds up the middle stretch when the missions blur together.

Masters of the Air is the final of three companion piece miniseries, following Band of Brothers (2001) and The Pacific (2010). It is the only one not to air on HBO, and the first series produced by Apple Studios in cooperation with Playtone and Amblin Television.

Nine Episodes, One Season, a Long Wait

The series consists of nine episodes. It premiered on January 26, 2024, running through March 14, 2024. Principal photography began in England in 2021 but was delayed on several occasions due to strict government measures related to COVID-19.

That production history shows. Masters of the Air has the scale of a project that was built to be enormous and then had to be reassembled around a moving target. The aerial sequences are the payoff — the B-17s in formation, the flak, the damage — and they are the part of the show that justifies the budget and the wait.

Reviews were positive overall, with many highlighting the performances and action sequences but criticizing the screenwriting, tone, and historical inaccuracies. That split is the honest read of the series.

Where the Writing Loses the Thread

The screenwriting problem is real, and it is not a matter of taste. Masters of the Air has nine episodes and a large cast, and it never solves the arithmetic. Men are introduced, given a name and a hometown, and then cycled out before the audience has a reason to hold onto them. The deaths land as events rather than losses.

The tone drifts in the same way. The series wants the grounded camaraderie of Band of Brothers, and it wants the dread of a bomber crew flying into occupied Europe, and it does not always decide which one it is in a given hour. The result is a show that can feel reverent when it should feel afraid.

Historical inaccuracies drew criticism too. That is a fair complaint for a series built on Donald L. Miller’s book, though it is the smaller of the two problems. A dramatized war story will compress and rearrange. A dramatized war story that cannot make you remember who is in the plane has a harder fix.

What Masters of the Air Gets Right

The action sequences are the argument for the series, and they hold up. Masters of the Air understands that a B-17 is a cramped, cold, loud workplace, and it shoots the missions accordingly. The danger is procedural — altitude, formation, damage, time — and the show treats that procedure as the source of tension rather than as set dressing.

The performances carry the rest. Butler, Turner, Boyle and Mann give the series a center it does not always earn on the page. When Masters of the Air works, it is because the cast is playing the friendship the premise describes, and playing it straight.

It won one of its three nominations at the 76th Primetime Creative Arts Emmy Awards. The recognition is deserved at the craft level. The writing is where the series falls short of its own lineage.

The Verdict on Masters of the Air

Masters of the Air is a good series that was built to be a great one, and the gap between those two things is visible in almost every episode. The aerial sequences and the lead performances are genuinely strong. The screenwriting and the shifting tone keep it from joining Band of Brothers and The Pacific as a complete achievement.

The comparison is unfair and unavoidable. Masters of the Air is the third entry in a trilogy that set an extraordinarily high bar, and the only one that did not air on HBO. It is also the first produced by Apple Studios with Playtone and Amblin Television, and that combination delivers exactly what it promises: scale, craft, and a certain caution.

What matters most here is the casting. Butler and Turner are the reason to start the series, and Boyle and Mann are the reason to finish it. What matters least is the historical quibbling — a distraction from the real issue, which is that nine episodes is enough room to make an audience know these men, and Masters of the Air too often spends that room on the next mission instead.

The show is worth watching. It is not worth the trilogy it belongs to.

Key facts

  • Title: Masters of the Air
  • Year: 2024
  • Network: Apple TV
  • Created by: John Shiban and John Orloff
  • Based on: the 2007 book by Donald L. Miller
  • Episodes: 9, across 1 season
  • First aired: January 26, 2024
  • Last aired: March 14, 2024
  • Genres: Drama, War & Politics
  • Metacritic: 72/100
  • Emmys: three nominations at the 76th Primetime Creative Arts Emmy Awards, one win
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