
Scream Review: Ozzy Goes Heavy — Mostly
A record of screams and heaviness, wherein Ozzy strips away the blues and leaves only metal, with a spoken-word closer that mocks the listener.


A record of screams and heaviness, wherein Ozzy strips away the blues and leaves only metal, with a spoken-word closer that mocks the listener.

A look back at Ozzy Osbourne's 1991 record No More Tears, weighing its hits against its weaker middle stretch.

A loud, messy, and mostly brilliant record, Ozzy's debut after Black Sabbath, with one dark track that divides opinion.

Gojira's Magma tears down the wall between metal and everything else, blending melodic immediacy with brutal death-metal teeth.

A heavy record built on scale: thirteen tracks, seventy-two minutes, almost nothing small.

A review of Gojira's L'Enfant sauvage, a restrained metal album about wildness and humanity, scored 8.6/10.

Gojira's 2003 debut blends brutal death metal with atmospheric post-metal, earning a 7/10 score.

Gojira's Terra incognita piles death metal, metalcore, and more into a 66-minute mess with flashes of real quality.

A review of Melvins' 13th album, a dense, exhausting listen that buries pop hooks under mountains of distortion.

A review of the Melvins' 2014 double album Hold It In, weighing its strengths and weaknesses against its critical standing.
As an Amazon Associate, Clay Tribune earns from qualifying purchases.