
Public Enemy’s ‘Evil Empire’ Restates Its Case With Anger, Not Innovation
Public Enemy's 2012 album The Evil Empire of Everything restates their warnings against corporate greed and racial injustice with urgency.


Public Enemy's 2012 album The Evil Empire of Everything restates their warnings against corporate greed and racial injustice with urgency.

A sprawling protest record from Public Enemy, tracing the sale of America's soul through song, speech, and comic lore.

A review of The Velvet Underground's Squeeze, a pale imitation of Loaded that never quite finds its own voice.

A review of The Complete Matrix Tapes, forty-three live songs by The Velvet Underground, including rare tracks and full versions of classics.

A strange beast of covers and originals, this Velvet Underground album struggles to live without its departed scribe.

A review of The Great Banana, a landmark 1994 reissue of the Velvet Underground's 1967 debut, ranking it among the finest albums of its era.

Radiohead's Kid A, released in 2000, is a bold, cold, and beautiful break from OK Computer. Our review explores its electronic textures and lasting impact.

Radiohead's 2001 album Amnesiac is the darker, jazzier twin to Kid A. We review its cryptic songs, standout tracks, and why it's essential.

Radiotick Tracks 2 is a fan-made Radiohead compilation of B-sides, covers, and alternate takes. It has flashes of brilliance but lacks coherence, scoring 5/10.

Radiohead's 2011 album The King of Limbs is a dense, rhythmic puzzle that rewards patient listeners. Our review finds strange beauty in its loops.
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