
Ghost’s ‘Skeletá’ Turns the Gloss All the Way Up — and Mostly Gets Away With It
Ghost's Skeletá is a glossy 20-track double album of Atmos mixes and AOR hooks — polished, confident, and occasionally too clean.


Ghost's Skeletá is a glossy 20-track double album of Atmos mixes and AOR hooks — polished, confident, and occasionally too clean.

Fontaines D.C. tear up their post-punk blueprint on Romance, a bold, genre-hopping fourth album that's their best yet.

English Teacher's debut This Could Be Texas is a restless, ambitious post-punk record that mostly delivers on its big ideas.

boygenius' debut the record fuses three songwriters into one voice — a confident, near-perfect 12-track statement. 9/10.

Blood Incantation's Absolute Elsewhere fuses death metal with 70s prog and cosmic synth for a towering, genre-collapsing achievement.

Black Country, New Road's Forever Howlong swaps post-punk edge for baroque folk-pop warmth, led by three singers. A confident reinvention.

Amyl and the Sniffers push past pure punk on Cartoon Darkness, mixing pop hooks and vulnerability with their raw snarl.

Vampire Weekend's sprawling fourth album trades tight hooks for warmth and looseness. An 18-track review of Father of the Bride.

Turnstile's GLOW ON stretches hardcore into shoegaze, R&B and pop without losing its punch. A 34-minute triumph, reviewed.

The Rolling Stones return with Hackney Diamonds, a rock record that proves the band hasn't lost its edge.

Tame Impala's The Slow Rush trades psychedelic haze for disco funk, an 8/10 record of ambitious grooves and emotional depth.

Paradise Lost's 16th album Obsidian fuses doom, gothic metal and post-punk into a confident, cohesive career highlight.
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