
Pixar’s sequel problem was solved by a cowboy who learns he’s a collectible
Toy Story 2 review: Pixar's sequel that asked what a toy really fears — being outgrown — and redeveloped its whole plot in one weekend.


Toy Story 2 review: Pixar's sequel that asked what a toy really fears — being outgrown — and redeveloped its whole plot in one weekend.

Kill Bill: Vol. 2 review — Uma Thurman, David Carradine, and a 7.9/10 score. A slow, uneven, occasionally brilliant close to Tarantino's revenge story.

Edge of Tomorrow review: Tom Cruise and Emily Blunt turn a time loop into a training montage with a body count, until the third act runs out of ideas.

Denis Villeneuve's Dune runs 155 minutes and covers only Part One of Frank Herbert's novel, with Timothée Chalamet as Paul Atreides.

A review of Quentin Tarantino's 2015 Western mystery The Hateful Eight: its cast, its 70mm room, its violence, and why it runs too long.

A Quiet Place review: Krasinski's 91-minute silence horror, Millicent Simmonds' casting, the nail scene, and why the gimmick mostly works.

Peter Jackson's final Hobbit film kills Smaug early, seals the Lonely Mountain, and ends a trilogy that earns its farewell without ever surprising you.

A review of Pirates of the Caribbean: At World's End, the 169-minute third film directed by Gore Verbinski and starring Johnny Depp as Jack Sparrow.

A review of Disney's 2017 live-action Beauty and the Beast: Bill Condon directs Emma Watson and Dan Stevens in a lavish, faithful, overlong 129-minute remake.

A review of Wes Anderson's The Grand Budapest Hotel: Ralph Fiennes as Gustave H., a stolen painting, a prison break, and a Europe about to vanish. 8.8/10.

A review of Luc Besson's Léon: The Professional, starring Jean Reno and Natalie Portman, scoring the 1994 crime drama 6.4/10.

Zack Snyder's Man of Steel rebooted Superman with Henry Cavill. A review of the 2013 origin film, its long road to release, and what works.
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