
Gravity Review: Sandra Bullock, Alfonso Cuarón, and 91 Minutes of Suspense
A review of Alfonso Cuarón's Gravity: Sandra Bullock alone in orbit, Framestore's weightless visuals, and why 91 minutes is exactly enough.


A review of Alfonso Cuarón's Gravity: Sandra Bullock alone in orbit, Framestore's weightless visuals, and why 91 minutes is exactly enough.

Star Wars: The Last Jedi review: Rian Johnson spends what The Force Awakens saved, giving Luke an ending about teaching and the sequel trilogy its only thesis.

Eternal Sunshine of the Spotless Mind at 22: Gondry and Kaufman's memory-erasure romance treats the machine as an office, not a miracle.

Sam Raimi's Spider-Man 2 review: Tobey Maguire quits the mask, Alfred Molina's Doc Ock steals the show, and the 2004 sequel still holds up.

Big Hero 6 review: Disney's first Marvel animated film won an Oscar and $658 million, but its real strength is Baymax and a grieving 14-year-old boy.

Mockingjay – Part 1 splits Collins's novel in two and the seam shows: 123 minutes underground in District 13, all setup and no payoff.

World War Z (2013): Brad Pitt hunts a zombie cure across a collapsing world in a $190M production that rewrote its own third act.

Whiplash review: Chazelle's 107-minute thriller about a young drummer and an abusive instructor, from Sundance short to Oscar-winning feature.

Now You See Me review: the 2013 magician heist film explains every trick and saves one reversal for the end. Why it lands at 5.0/10.

A critical review of Star Wars Return of the Jedi (1983), covering Jabba's Palace, the Ewoks, the second Death Star, and the Emperor's throne room

Spielberg's Ready Player One pits a broken 2045 against the shiny OASIS. A review of Wade Watts, Sorrento, the High-5 and the trap the film won't name.

Luc Besson's Lucy with Scarlett Johansson: a fast 89-minute sci-fi blast built on the 10-percent brain myth that never quite holds up.
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