Midterms 2026See who we think should earn your vote, based on our standardsThe guide →
WRITTEN IN PLAIN AMERICAN ENGLISH.
CLAY TRIBUNE.
Advertisement

Three’s Company Review: 7.6 Out of 10 — Jack Pretends to Be Gay, Everyone Pretends to Believe It

A look back at Three's Company, the ABC sitcom that ran for eight seasons and spawned two spin-offs.

By mitch·5 min read
Three people sit together on a couch in a cozy 1970s living room.

Three’s Company ran for eight seasons on ABC from 1977 to 1984, and it remains one of the most recognizable comedies of its era. The premise is simple: two single women, Janet and Chrissy, need a roommate to cover the rent after their friend marries and moves out. They find Jack passed out in the bathtub after a going-away party, offer him the room, and ask him to pretend to be gay to keep their conservative landlady happy. The joke is that Jack is actually straight, and the show spends 171 episodes watching everyone pretend otherwise.

Trailer, via CafeMom Studios.

The Setup

Janet Wood and Chrissy Snow are the original tenants, played by Joyce DeWitt and Suzanne Somers. Their roommate Eleanor Garvey, played by Marianne Black, leaves when she marries. Jack Tripper, played by John Ritter, crashes the party and ends up staying. The apartment is in Santa Monica, California, and the building belongs to Stanley and Helen Roper, played by Norman Fell and Audra Lindley. Stanley won’t let an unmarried man live with two women, so Janet lies and says Jack is gay. Helen figures out the truth early on but swears to keep it quiet.

Advertisement

The show is a farce, built on misunderstandings, social awkwardness, and financial strain. The jokes rely on physical comedy, rapid-fire dialogue, and the tension between what the characters know and what the audience knows. The setup is so strong that it barely changes over the course of the series.

The Spinoffs

Three’s Company didn’t just run for eight years. It spawned two spin-offs, both based on the British original Man About the House. The Ropers followed Helen and Stanley as they moved into a townhouse community after selling the apartment building. Three’s a Crowd brought in Cindy Snow, Chrissy’s first cousin, who takes over the apartment when Chrissy leaves for an extended visit with her parents and never returns.

The spin-offs are part of the show’s legacy, but they don’t change the core of the original. The Ropers, based on George and Mildred, followed the landlords. Three’s a Crowd, based on Robin’s Nest, followed Cindy into the apartment. Both were short-lived, but they kept the characters alive beyond the main run.

Cast Changes

The show had many cast changes over its run. The first came in the spring of 1979, when the Ropers left to star in their own series. That series lasted for one and a half seasons. Then, in the fall of 1979, three changes happened at once:

  1. Lana Shields, an older woman who chased Jack, joined the show. She kept pursuing him but he was unappreciative of her advances.
  2. Ralph Furley, played by Don Knotts, became the new building manager. His brother Bart bought the building from the Ropers.
  3. Richard Kline as Larry Dallas, previously in a recurring role, was upgraded to a full cast member.

Lana stayed until mid-season, when producers dropped her with no explanation because Ann Wedgeworth disliked her diminishing role. Ralph Furley remained until the end of the series. Larry Dallas stayed as a full cast member for the rest of the show.

The Salary Drama

Season five brought contract negotiations, and they weren’t pleasant. Somers demanded a substantial increase in salary, from $30,000 to $150,000 per episode plus 10% of the show’s profits. When the demands weren’t met, Somers went on a strike of sorts. She continued to appear in the series, but only in the one-minute closing tag scene of a handful of episodes. Her scenes were taped on separate days.

The situation caused friction on set, and the show had to navigate it carefully. Executives believed that losing Somers completely could damage the program’s popularity, so a compromise was reached. Somers, who was still under contract, continued to appear in the series, but only in the one-minute closing tag scene of a handful of episodes.

“He quickly accepts so that he can have a place to live other than the local YMCA.”

What Works

The show is at its best when it sticks to its central premise. Jack pretending to be gay while everyone else pretends to believe it creates a consistent engine of humor. The physical comedy, the timing, and the ensemble chemistry all work in service of that idea. The show is weakest when it strays from it, either by introducing new characters or by stretching the premise too thin.

The supporting cast is strong across all eight seasons. Don Knotts brings his comic timing to Ralph Furley, and Richard Kline fits comfortably into the ensemble as Larry Dallas. The show also brought in Jenilee Harrison as Cindy Snow, who replaces Chrissy in the apartment after she leaves.

What Doesn’t Work

The show repeats itself often. Once the premise is established, there isn’t much variation to explore. Episodes tend to follow the same pattern: Jack gets into trouble, Janet and Chrissy cover for him, and the misunderstanding gets resolved by the end of the half-hour. The show also relies heavily on physical comedy and slapstick, which can wear thin over time.

The show also deals with dated issues of class and propriety. The Ropers are wealthy and conservative, and the show often plays their discomfort for laughs. That dynamic works in the early seasons, but it becomes repetitive as the show runs long. The show also handles gender roles in ways that feel dated today, particularly in how it treats Chrissy and Janet’s relationship with Jack.

The Verdict

Three’s Company is a well-made, frequently funny sitcom with a strong premise and a talented cast. It doesn’t reinvent the wheel, but it doesn’t need to. The show knows exactly what it is and delivers it consistently. The spin-offs and the cast changes are part of its history, but they don’t define the quality of the main run.

Season Years Episodes
1 1977–1978 22
2 1978–1979 22
3 1979–1980 22
4 1980–1981 22
5 1981–1982 22
6 1982–1983 22
7 1983–1984 22
8 1984 17

The show’s influence is visible in later sitcoms, and its spin-offs continue to be available in syndication and on DVD. Its place in television history is secure.

Three’s Company earns a 7.6 out of 10.

The Notebook

Get the Notebook.

The day's best stories and every fresh verdict, in plain English, in your inbox by seven. One email a day, no more.

We send one note to confirm. Every issue has a one-click way out.

TV reviews
Advertisement

Leave a Reply

Your email address will not be published. Required fields are marked *

As an Amazon Associate, Clay Tribune earns from qualifying purchases.