Records we have scored.
Joni Mitchell's 2000 album Both Sides Now reimagines jazz standards with orchestral depth and a weathered voice, earning a 9/10 for its emotional weight.
Joni Mitchell's 1969 album Clouds marks her transformation into a singular voice, with stark arrangements and timeless songs like Both Sides, Now.
Joni Mitchell's 1988 album is an uneven mix of guest stars and dated production, with standout tracks amid weaker moments.
Joni Mitchell's 'Ladies of the Canyon' is a transitional folk classic, balancing warm portraits with sharper songs like 'Big Yellow Taxi' and 'Woodstock.'
Joni Mitchell's 1991 album Night Ride Home marks her return to acoustic intimacy, with sharp lyrics and a quiet confidence. Our track-by-track review.
Joni Mitchell's 1979 Mingus album, a tribute to Charles Mingus, blends jazz melodies with spoken-word fragments. A flawed but fascinating memorial.
Joni Mitchell's 1977 double album is a sprawling, defiant fusion of jazz and folk that demands patience—and mostly pays off. A polarizing classic.
Joni Mitchell's 1998 album Taming the Tiger is a quiet, mature work that rewards patience with intricate detail and subtle melodies. Our review rates it 7/10.
Joni Mitchell's 1975 album is a daring, difficult masterpiece—a jazz-infused critique of American comfort that rewards patient listeners.
Marvin Gaye's 1961 debut shows a remarkable voice still searching for identity. A solid standards record worth hearing for its best ballads.
Marvin Gaye and Kim Weston's 1966 album Take Two: a solid, polished set led by the classic 'It Takes Two' and the ballad 'What Good Am I Without You.'
Joni Mitchell's 1972 album trades wide-open horizons for intimate confession. A track-by-track review of her quiet masterpiece, from fame's cost to the radio hit.
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