
Why The Lion King Still Works 32 Years Later
A review of Disney's The Lion King (1994): its Shakespeare roots, the stampede scene, James Earl Jones and Jeremy Irons, and why 89 minutes is the right length.


A review of Disney's The Lion King (1994): its Shakespeare roots, the stampede scene, James Earl Jones and Jeremy Irons, and why 89 minutes is the right length.

Monsters, Inc. review: Pixar's 2001 comedy turns a scream-powered factory into a warm buddy film, with John Goodman and Billy Crystal at the center.

A retrospective review of The Truman Show, Peter Weir's 1998 film starring Jim Carrey, covering its production, cast, themes and lasting legacy.

Pixar spent $180 million on WALL·E in 2008, a near-silent robot love story that became one of the studio's strangest and best bets.

Wonder Woman (2017) review: Gal Gadot and Patty Jenkins deliver strong first two acts, but a CGI god duel finale loses the war film's stakes.

Ant-Man (2015) is a Marvel heist film that knows its limits, with Paul Rudd, Michael Douglas and a script four writers deep.

Sam Raimi's Spider-Man (2002) review: Tobey Maguire, Willem Dafoe, and the origin story that built the modern superhero template.

Ridley Scott's The Martian strands Matt Damon on Mars and turns survival into problem-solving. A review of the 2015 sci-fi hit, its cast, and its legacy.

Pete Docter's Up (2009) floats a widower's house to South America on balloons. A review of Pixar's grief-soaked adventure, its cast, and that opening montage.

Suicide Squad review: Viola Davis rules as Amanda Waller, Jared Leto's Joker barely registers, and David Ayer's DC villain team-up never finds its footing.

Harry Potter and the Deathly Hallows: Part 2 review — the eighth and final film, in 3D, grossed over $1.3 billion. A satisfying end to the saga.

Taika Waititi's Thor: Ragnarok strips Chris Hemsworth's hero of hammer, hair and home and rebuilds the franchise as a comedy. A review.
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